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Jacolby Satterwhite Contributes to New Solange Video Project

Monday, March 4th, 2019

Jacolby Satterwhite Joins Mitchell-Innes and Nash

Friday, July 13th, 2018

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 13th – 16th, 2019

Wednesday, June 12th, 2019

AO Preview -New York: Frieze New York at Randall’s Island, May 3rd-6th, 2018

Sunday, April 29th, 2018

AO On-Site – New York: NADA NY at Skylight Clarkson North, March 2nd – 5th, 2016

Sunday, March 5th, 2017

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Artist Group Postcommodity Opens Installation Commission in Chicago

August 16th, 2019

Artist group Postcommodity have unveiled a commission in Chicago reflecting on the history of migrant cultures in the United States, and calling on the U.S. government to create space for those deprived of basic human rights. “We need to acknowledge this migration in real time and start preparing for that transformation. Rather than fight it, embrace it,” member Kade L. Twist said. “There’s a lot to learn from how Black people were treated and disregarded through most of [the Great] Migration. There’s a desperate need to humanize.”
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The Guardian Interviews Life Models on Their Work Posing for Artists

August 16th, 2019

The Guardian speaks with a group of life models on their practice sitting in a studio, and their perspectives on their job posing for learning artists. “I’d been waiting for someone to tell me it’s fine to pose for students if you’re different,” says Suzon Lagarde, a painter. “You might feel vulnerable posing, but as a painter I also know how vulnerable people can feel behind the easel – you are always questioning and judging yourself. I soon realized we are a team, all trying to be brave.”
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NYT Profiles Recent Private Collection Database Startup

August 16th, 2019

The NYT profiles a recent digital venture, Collecteurs, which serves as a database for private collections. “If I don’t put them in some kind of public database, these works essentially disappear from the planet,” says collector Roberto Toscano.
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