Search Results

Jean Nouvel to design the 10th Serpentine Gallery Pavilion, London

Friday, March 26th, 2010

French architect Jean Nouvel wins the Pritzker Prize

Tuesday, April 1st, 2008

Paris – “Nouvelles Vagues” at Palais de Tokyo, through September 9th 2013

Sunday, September 8th, 2013

Louvre Abu Dhabi Opens this Weekend

Wednesday, November 8th, 2017

Louvre Abu Dhabi to Open November 11th

Thursday, September 7th, 2017

Paris — Bruce Nauman at Fondation Cartier pour l’art contemporain on view through June 21, 2015

Thursday, June 25th, 2015

Sou Fujimoto-designed Serpentine Pavilion Opens in London

Tuesday, June 11th, 2013

AO Newslink

Friday, November 2nd, 2012

AO Newslink

Thursday, October 11th, 2012

AO Newslink

Friday, June 8th, 2012

London: Ai Weiwei and Herzog & de Meuron debut their collaborative 2012 Serpentine Pavilion

Friday, June 1st, 2012

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012

AO On Site – Paris: FIAC 2010 Mid-Fair News Brief and Photo Set 1 of 2 (final photo set to follow the conclusion of the fair)

Thursday, October 21st, 2010

AO News Summary: Serpentine Gallery Reportedly Wins Hyde Park Space Over Damien Hirst

Thursday, September 30th, 2010

AO Onsite: Art Abu Dhabi at the Emirates Palace Generates Significant Sales

Tuesday, December 1st, 2009

Newslinks for Thursday, May 28, 2009

Thursday, May 28th, 2009

GO SEE: BEATRIZ MILHAZES AT FOUNDATION CARTIER POUR L’ART CONTEMPORAIN IN PARIS THROUGH JUNE 21ST, 2009

Sunday, May 17th, 2009

NEWSLINKS 04.09.08

Wednesday, April 9th, 2008

Berlin – John Baldessari: “Storyboard (in 4 Parts)” at Sprüth Magers Through November 2nd 2013

Saturday, September 21st, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
Read More »

Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
Read More »

Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
Read More »

REFERENCE LIBRARY