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Yoko Ono’s Jean-Michel Basquiat Painting to Sell at Sotheby’s in New York This November

Tuesday, October 3rd, 2017

Jean-Michel Basquiat Profiled in The Guardian

Tuesday, September 5th, 2017

The Skate Room Produces Line of Jean-Michel Basquiat Skateboards

Monday, April 10th, 2017

New York Times Spotlights Work Focused on Jean-Michel Basquiat’s Personal Life

Wednesday, February 15th, 2017

Anthony Haden-Guest Speaks on Death of Jean-Michel Basquiat

Thursday, July 7th, 2016

New York: Jean-Michel Basquiat: “The Unknown Notebooks” at The Brooklyn Museum Through August 23rd, 2015

Sunday, August 16th, 2015

New York Magazine Looks at Friendship of Jean-Michel Basquiat and Andy Warhol

Sunday, May 10th, 2015

Former Girlfriend of Jean-Michel Basquiat Unveiles a Series of Polaroids of the Young Artist

Monday, August 11th, 2014

Jean-Michel Basquiat Honored With Public Square Dedication in Paris

Friday, June 20th, 2014

New York – “Jean-Michel Basquiat Drawing” at Acquavella Gallery Through June 13th, 2014

Tuesday, June 10th, 2014

Reebok Releases New Line of Shoes with Art by Jean-Michel Basquiat

Sunday, October 13th, 2013

New York Man Claims Jean-Michel Basquiat Drawing Sold at Auction was Stolen from Him

Sunday, October 6th, 2013

A$AP Rocky Spotted in Supreme X Jean-Michel Basquiat Collection, Which Hits Stores Today

Friday, September 27th, 2013

Former Girlfriend of Jean-Michel Basquiat Reveals Enormous Collection of Unseen Works

Wednesday, March 27th, 2013

London: Andy Warhol and Jean-Michel Basquiat ‘Olympic Rings’ at Gagosian Gallery

Friday, July 13th, 2012

Go See – Paris: Jean-Michel Basquiat at Musée d’Art Moderne through January 30, 2011

Thursday, January 20th, 2011

Go See – Basel: Jean-Michel Basquiat at Fondation Beyeler through September 5th, 2010

Tuesday, June 15th, 2010

AO On Site: Nowness Premier of “Jean-Michel Basquiat: The Radiant Child” at MoMA, New York – Tuesday, April 27, 2010

Thursday, April 29th, 2010

U2’s Jean-Michel Basquiat work on Sotheby’s block for $17.7M

Monday, June 16th, 2008

Jean-Michel Basquiat

Thursday, March 20th, 2008

Record-Setting Basquiat to Get One Painting Show at Brooklyn Museum

Thursday, January 11th, 2018

New York Times Looks at Basquiat’s Musical Tastes in Profile Piece

Friday, September 22nd, 2017

Yusaku Maezawa Interviewed in NYT Over Basquiat Sale

Wednesday, May 31st, 2017

New York Times Profiles Market Growth for Basquiat Works

Thursday, May 18th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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