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Dominique Lévy, Brett Gorvy, Amalia Dayan and Jeanne Greenberg Rohatyn Join Forces on New Dealership Project LGDR

Saturday, September 4th, 2021

Jeanne Greenberg Rohatyn Profiled in New York Times

Monday, December 2nd, 2013

Jeanne Greenberg Rohatyn’s Salon 94 to Join LES Art Scene on Freeman Alley

Tuesday, August 28th, 2007

Salon 94 to Open UES Headquarters

Thursday, June 13th, 2019

Salon 94 Embarks on Design Program

Friday, March 3rd, 2017

The New York Times Profiles Lucien Smith Before His Upcoming Solo Show Tomorrow

Thursday, September 12th, 2013

AO On Site Photoset – New York: Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory, April 30th, 2013

Monday, May 6th, 2013

New York – AO On Site: Performa’s Relâche—The Party Benefit Gala, Thursday, November 29th, 2012

Sunday, December 2nd, 2012

AO Newslink

Monday, September 17th, 2012

AO On Site – Basel – Artist talk with Jeff Koons at Fondation Beyeler, Thursday, June 14, 2012

Thursday, June 14th, 2012

AO On Site photoset/news summary – New York: Armory Show – The Day One Preview, March 2nd, 2011

Thursday, March 3rd, 2011

Newslinks for Friday January 15th, 2010

Friday, January 15th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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