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Jenny Holzer Projects Words of Climate Activist Greta Thunberg on Tate Modern

Tuesday, November 2nd, 2021

Jenny Holzer Works with Students in Chicago on Voting Efforts

Tuesday, October 27th, 2020

Desert X Biennial Puts Jenny Holzer Work on Hold After Environmental Concerns Raised

Wednesday, February 6th, 2019

Jenny Holzer Profiled in New York Magazine

Friday, October 19th, 2018

Jenny Holzer Interviewed in The Guardian

Wednesday, September 19th, 2018

Jenny Holzer to Install Work in Blenheim Palace

Monday, March 6th, 2017

Jenny Holzer to Install Site-Specific Work in Ibiza

Monday, June 27th, 2016

Jenny Holzer Designing Text Work for NYC AIDS Memorial

Monday, December 28th, 2015

Jenny Holzer Invites W Magazine to Her Studio

Wednesday, August 12th, 2015

Venice – Jenny Holzer: “War Paintings” at the Museo Correr Through November 22nd, 2015

Friday, May 8th, 2015

New York – Jenny Holzer: “Dust Paintings” at Cheim & Read through October 25th, 2014

Saturday, October 25th, 2014

London: Jenny Holzer ‘Sophisticated Devices’ at Sprüeth Magers Gallery through July 28, 2012

Tuesday, July 10th, 2012

AO On Site – New York: Jenny Holzer ‘Endgame’ at Skarstedt Gallery through April 7, 2012

Monday, March 26th, 2012

Go See – New York: Jenny Holzer “Retro” at Skarstedt Gallery, through December 18, 2010

Thursday, December 9th, 2010

Go See – Montreal: Jenny Holzer at Fondation DHC through November 14th, 2010

Friday, July 30th, 2010

Go See – Basel: Jenny Holzer at the Fondation Beyeler through January 24th 2010

Thursday, November 26th, 2009

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

Go See – London: Jenny Holzer ‘Truisms’ and ‘Essays’ at Between Bridges, Through July 5, 2009

Wednesday, June 17th, 2009

Go See: Jenny Holzer’s ‘PROTECT PROTECT’ at the Whitney Museum of American Art, through May 31, 2009

Saturday, March 14th, 2009

Go See: Jenny Holzer's 'For the Guggenheim' Fridays sunset through 11 PM through New Year's Eve

Friday, September 26th, 2008

Jenny Holzer

Monday, March 24th, 2008

AO On-Site – Los Angeles: Frieze Los Angeles at Paramount Studios, February 16th, 2020

Friday, February 14th, 2020

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 13th – 16th, 2019

Wednesday, June 12th, 2019

AO On-Site – New York: Frieze New York Art Fair on Randall’s Island, May 2nd – 5th, 2019

Thursday, May 2nd, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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