Search Results

Oxford – William Morris and Andy Warhol: “Love is Enough” Curated by Jeremy Deller at Modern Art Oxford Through March 8th, 2015

Tuesday, February 17th, 2015

Washington, D.C. – Jeremy Deller: “English Magic” at The Hirshhorn Through August 31st, 2014

Saturday, August 30th, 2014

Jeremy Deller to Release Downloadable Free Artwork

Monday, May 5th, 2014

AO On-Site – Venice: Jeremy Deller’s English Magic, The British Pavilion at The 2013 Venice Biennale

Monday, June 10th, 2013

Prince Harry Banner Removed from Jeremy Deller’s Great Britain Pavilion

Friday, May 31st, 2013

Creative Time Flying Artist-Commissioned Flags Over New York Office

Thursday, June 15th, 2017

Artists Sign Open Letter Rallying Against Brexit Vote

Tuesday, May 24th, 2016

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

Group of Artists Issue Open Letter Condemning Cuba’s Actions Towards Tania Bruguera

Monday, February 9th, 2015

AO On-Site: Creative Time Fall Ball, November 12th, 2013

Monday, November 18th, 2013

London – “David Bowie is” at the Victoria & Albert Museum through August 11, 2013

Wednesday, August 7th, 2013

ICA’s “Art Rules” Aims to Lead Online Art Debate

Friday, August 2nd, 2013

Artangel Seeks Proposals for £1 Million in Commissions Backing

Tuesday, January 15th, 2013

AO On Site – Paris: FIAC Week Wrapup and Final Photoset, October 18th – 21st, 2012

Sunday, October 21st, 2012

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

AO Newslink

Tuesday, May 15th, 2012

Go See – New York: ‘September 11′ at MoMA PS1 through January 9, 2012

Wednesday, October 26th, 2011

News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection

Monday, November 16th, 2009

Go See – London: “One & Other” on The Fourth Plinth by Antony Gormley in Trafalgar Square through October 14th 2009

Wednesday, July 15th, 2009

Go See – London: Classified at Tate Britain through August 23rd 2009

Monday, July 6th, 2009

The Fourth Plinth Contest at the National Gallery in London

Friday, January 25th, 2008

Newslinks for week of 8.27.07

Tuesday, August 28th, 2007

Venice – The National Pavilions at the Venice Biennale Through November 22nd, 2015

Wednesday, May 13th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Nicole Eisenman Sculpture Defaced in Münster

July 21st, 2017

Nicole Eisenman sculpture, via ArtforumA group of vandals attacked a sculpture in Nicole Eisenman’s site-specific installation, Sketch for a Fountain, at Skulptur Projekte Münster, Artforum reports. A large figure in the sculpture has been beheaded, and will remain without its head for the remainder of the show. 
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Getty Museum Acquires Major Collection of Drawings

July 21st, 2017

Jean-Antoine Watteau’s La Surprise, via NYTThe Getty Museum has made a major purchase of 16 drawings and one painting including works by Michelangelo, Parmigianino and Watteau, among others, one of the most expensive single acquisitions in the museum’s history. “This acquisition is absolutely transformative in terms of the quality of our drawings collection,” says director Timothy Potts. “There hasn’t been an opportunity like this in 30 years of the Getty’s existence and there won’t be again.”
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Bill Funding NEA Passes House Appropriations Committee

July 21st, 2017

u-s-congress-via-art-newspaperDespite attempts by Donald Trump to defund the NEA, a bill guaranteeing future funding for the organization has won approval this week from the House appropriations committee, the New York Times reports. “It is a very solid rejection of the administration’s proposals to terminate the two agencies,” says Narric Rome, who heads up government affairs at advocacy group Americans for the Arts. “We consider the House number to be a very good starting point for the appropriations process.”
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