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Jérôme Bel Profiled in NYT

Wednesday, October 19th, 2016

Jerome Bêl Launching Performance Featuring MoMA Staff This Fall

Thursday, July 14th, 2016

AO On-Site – Basel: Liste Art Fair at Warteck, June 13th – 18th, 2017

Thursday, June 15th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

Performa Opens in New York

Tuesday, November 3rd, 2015

AO Preview – London: Frieze Art Fair in Regent’s Park, October 17th-20th, 2013

Tuesday, October 15th, 2013

Marina Abramovic Prepares to Open Ballet

Thursday, May 2nd, 2013

ArtInfo Interviews Jérôme de Noirmont on the Closing of His Gallery

Wednesday, April 3rd, 2013

AO On Site – Paris: FIAC Week Wrapup and Final Photoset, October 18th – 21st, 2012

Sunday, October 21st, 2012

Go See – London: ‘Leonardo da Vinci: Painter at the Court of Milan’ at the National Gallery through February 5, 2012

Tuesday, December 20th, 2011

AO Auction Results: Impressionist and Modern Art Evening Sale at Christie’s – Expectations reached

Thursday, May 7th, 2009

AO Auction Preview: Impressionist and Modern Art and Sotheby’s and Christie’s

Wednesday, May 6th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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Marc Chagall Painting from National Gallery of Canada Features in Christie’s May Sale in New York

March 22nd, 2018

Chagall-La-Tour-Eiffel, via Art Market MonitorA 1929 Marc Chagall painting of the Eiffel Tower in Paris is being sold by the National Gallery of Canada at Christie’s this May in New York, and will be used to pay for new acquisitions.  “Filled with an air of sensuous, passionate romance, Marc Chagall’s La Tour Eiffel (estimate: $6-9 million) encapsulates the wonderfully poetic style that emerged in his oeuvre during the 1920s and 1930s,” the auction house said in a statement. “It was during this period that he experienced unprecedented period of happiness, stability, comfort and professional success amidst.”
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