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New York – “Bad Faith” at James Fuentes Through September 11th, 2016

Tuesday, August 30th, 2016

AO On Site – Paris: ‘Fresh Hell’ at the Palais de Tokyo through January 16th, 2011 featuring Maurizio Cattelan, Martin Creed, Isa Genzken, Dan Graham, Philip Guston, Martin Kippenberger, Nate Lowman, Sarah Lucas, Bruce Nauman & Frank Owen, Michelangelo Pistoletto, Rob Pruitt, Agathe Snow, Rudolf Stingel, Rosemarie Trockel and others

Thursday, January 13th, 2011

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO Onsite: The Clipper – The Marianne Vitale Experience at White Slab Palace, Saturday, March 28th, New York

Wednesday, March 31st, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Names “25 Works of Art That Define the Contemporary Age”

July 16th, 2019

The NYT has a piece this week on 25 art works that defined the contemporary era, from Hans Haacke’s MoMA Poll to Kara Walker’s A Subtlety, or the Marvelous Sugar Baby.  The piece features interviews and comments on the work from a range of artists and critics.
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Public Art Fund Makes Two Promotions Within Ranks

July 16th, 2019

The Public Art Fund has promoted  Kellie Honeycutt as its deputy director and Daniel S. Palmer as curator. “A key aspect of Public Art Fund culture is to nurture creative talent, and that includes our own extraordinary team. Both Kellie and Daniel are outstanding professionals, leaders in our field, and wonderful colleagues,” says Chief Curator and Director Nicholas Baume. “As we continue to embrace new opportunities to fulfill our mission, I’m excited to further our collaboration in their new roles.”
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Perez Art Museum Receives $1 Million Grant for Caribbean Cultural Institution Venture

July 16th, 2019

The Pérez Art Museum Miami has received $1 million the Andrew W. Mellon Foundation towards the institution’s new Caribbean Cultural Institute. “It’s something that is in our DNA, and we’ve been talking about this for a long time,” says Franklin Sirmans, PAMM’s director. “Now we’re really going to be able to move the dial.” 
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