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New York – Tom Burr and Andrea Zittel: “Concrete Realities” at Bortolami Gallery Through August 11th, 2017

Monday, August 7th, 2017

Artist Ronnie Cutrone Dies On Sunday, July 21, 2013

Tuesday, July 23rd, 2013

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

AO On Site Photoset – Paris: FIAC Sculpture Garden at the Tuileries, October 20-23, 2011

Sunday, October 23rd, 2011

AO Onsite – Paris: Richard Prince “American Prayer” at the Bibliothèque nationale de France through June 26th, 2011

Saturday, April 2nd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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