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Haus der Kunst Cancels Joan Jonas Show

Friday, August 3rd, 2018

Joan Jonas Profiled in The Guardian

Thursday, March 22nd, 2018

New York – Joan Jonas: “What is Found in the Windowless House is True” at Gavin Brown’s Enterprise Through June 11th, 2017

Saturday, June 10th, 2017

New York – Joan Jonas: “They Came to Us Without a Word II” at The Kitchen, April 6th-8th, 2016

Friday, April 8th, 2016

Joan Jonas to Represent USA at Venice Biennale Next Year

Friday, April 18th, 2014

AO Preview -New York: Frieze New York at Randall’s Island, May 3rd-6th, 2018

Sunday, April 29th, 2018

Tate Announces Exhibition Schedule for 2018

Friday, May 26th, 2017

Artists and Critics Call for Art Strike on January 20th to Protest Trump Inauguration

Tuesday, January 10th, 2017

London to Launch Late Night Art Exhibition Schedule

Friday, April 8th, 2016

Venice – The National Pavilions at the Venice Biennale Through November 22nd, 2015

Wednesday, May 13th, 2015

Biennale Golden Lions Announced: Adrian Piper for Best Artist, Armenia for Best Pavilion

Sunday, May 10th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

AO On-Site – New York: The Independent Art Fair at Center 548, March 7th-9th, 2014

Sunday, March 9th, 2014

AO Interview – New York: Peter Campus “now and then” at Bryce Wolkowitz Gallery

Sunday, January 13th, 2013

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

AO Onsite: BOMB Magazine’s 29th Anniversary Gala & Silent Auction at the National Arts Club, New York – Tuesday, April 27, 2010

Wednesday, April 28th, 2010

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

AO On Site Photoset – Paris: FIAC Sculpture Garden at the Tuileries, October 20-23, 2011

Sunday, October 23rd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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