Search Results

Los Angeles – Joe Bradley: “Eric’s Hair” at Gagosian Gallery Through April 8th, 2017

Sunday, April 2nd, 2017

Joe Bradley Profiled in New York Times

Thursday, March 31st, 2016

Joe Bradley Moves to Gagosian Gallery

Thursday, November 5th, 2015

Go See – Paris: Joe Bradley’s “Duckling Fantasy” at Almine Rech through July 30th, 2011

Sunday, July 24th, 2011

AO On Site – Brooklyn, New York: Joe Bradley ‘Drawings’ opening at The Journal Gallery, show runs through March 27, 2011

Friday, March 4th, 2011

Go See – New York: Joe Bradley at Gavin Brown’s Enterprise and Canada Gallery through Feburary 19th and 21st, respectively, 2011

Sunday, January 30th, 2011

Go See – New York: Chris Martin and Joe Bradley at Mitchell-Innes & Nash through March 27, 2010

Saturday, March 20th, 2010

AO Auction Results – London: Phillips 20th Century and Contemporary Evening Sale, June 29th, 2017

Thursday, June 29th, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, October 5th, 2016

Wednesday, October 5th, 2016

New York – “Shapeshifters” at Luhring Augustine Through August 12th, 2016

Saturday, August 6th, 2016

New York – “Nice Weather” Curated by David Salle at Skarstedt Gallery Through April 16th, 2016

Wednesday, March 30th, 2016

AO Auction Recap – New York: Christie’s Post-War and Contemporary Evening Sale, November 10th, 2015

Wednesday, November 11th, 2015

AO Auction Recap – London: Christie’s Contemporary Evening Sale, October 16th, 2015

Friday, October 16th, 2015

New York – “Marlborough Lights” at Marlborough Broome Street Through August 1st, 2015

Saturday, July 18th, 2015

AO Auction Recap – New York: Phillips Contemporary Evening Sale, May 14th, 2015

Thursday, May 14th, 2015

New York – “Call and Response” at Gavin Brown’s Enterprise Through February 28th, 2015

Monday, February 23rd, 2015

New York — “The Forever Now: Contemporary Painting in an Atemporal World” at MOMA Through April 5th, 2015

Thursday, January 22nd, 2015

AO Auction Recap – London: Christie’s Contemporary Evening Sale, October 16th, 2014

Friday, October 17th, 2014

New York – “LIFE: Curated by The Journal Gallery” at Venus Over Manhattan Through July 25th, 2014

Wednesday, July 16th, 2014

AO Auction Preview – New York: Contemporary Art Evening Sales, May 12th-15th, 2014

Monday, May 12th, 2014

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 24th to the 27th, 2013

Wednesday, October 23rd, 2013

New York – Vito Schnabel presents “White Collar Crimes” at Acquavella Galleries, Through March 27th 2013

Tuesday, March 26th, 2013

AO On Site – New York: André Saraiva’s “Andrépolis” and Portrait of a Generation double show at The Hole from June 7 to August 10, 2012

Friday, June 8th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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