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Fifth Version of John Constable Painting Authenticated

Monday, November 22nd, 2021

John Constable in Tate Collection Subject of Dispute Over Export

Monday, September 21st, 2015

Frank Auerbach Tours the Victoria and Albert Museum’s John Constable Show

Monday, September 22nd, 2014

Constable’s “The Hay Wain” Targeted by Protestor

Sunday, June 30th, 2013

Tate Buys $23.1 Million Constable Masterpiece

Thursday, May 23rd, 2013

Constable’s ‘The Lock’ breaks artist record at £22.4 million at Christie’s Auction in London

Tuesday, July 3rd, 2012

AO Auction Recap – London: Christie’s “Defining British Art” Sale, June 30th, 2016

Friday, July 1st, 2016

AO Auction Recap – New York: Old Masters Week, January 28th-29th, 2015

Saturday, January 31st, 2015

Works from Frick Collection to Leave US for First Time

Monday, February 17th, 2014

UK Announces Final Works for “Art Everywhere”

Tuesday, August 13th, 2013

AO Newslink

Tuesday, July 3rd, 2012

AO Newslink

Monday, June 18th, 2012

AO Newslink

Wednesday, May 30th, 2012

Go See – London: Turner and the Masters at Tate Britain, through January 31, 2010

Wednesday, September 23rd, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Serpentine Galleries Remove Sackler Name from North Gallery Space

January 12th, 2022

London’s Serpentine Galleries have formally removed the Sackler name from its North Gallery. The museum had faced criticism over its sluggishness to remove the name after fierce criticism and similar moves at other major institutions.

Uffizi Director Charges Museums with Confronting “Toxic” Histories of Society

December 30th, 2021

The director of the Uffizi in Florence has called on museums to take an active role in reconciling the “toxic” past actions of society.
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Governments Look to Regulate NFTs, Cryptocurrency as Markets Heat Up

December 28th, 2021

A piece in the Art Newspaper looks at efforts to begin regulating NFTs alongside cryptocurrencies, and how much catch-up those governments will have to play. “Education is paramount to protect new entrants from falling prey to bad actors, and the online community can contribute to increasing the level of understanding around NFTs,” says Omri Bouton of the London-based media and technology law firm Sheridans. “The industry may also benefit from having standards to allow consumers to quickly identify trustworthy projects.”
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