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Duncan Campbell Wins the 2014 Turner Prize

Monday, December 1st, 2014

New York – “Multiplicity” at Mixed Greens, NURTUREart and Invisible Exports through August 29th, 2014

Sunday, August 24th, 2014

The Tate Announces 2017 Exhibition Schedule

Tuesday, April 19th, 2016

Turner Prize Show to Tour Scotland in Traveling Exhibition

Tuesday, August 18th, 2015

AO On Site Photo Collection – New York: B.Y.O.B. at Spencer Brownstone Gallery, Friday November 12, 2010

Monday, November 15th, 2010

Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010

AO Onsite – New York: Project on Creativity with Chuck Close at the New Museum, Wednesday, May 26th, 2010

Monday, May 31st, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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