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RIP – Filmmaker Jonas Mekas Has Passed Away at the Age of 96

Wednesday, January 23rd, 2019

Jonas Mekas to Show Refugee Photographs at Documenta 14

Thursday, March 23rd, 2017

Douglas Gordon Presenting Film on Jonas Mekas in Locarno

Tuesday, July 12th, 2016

Jonas Mekas Interviewed in Art Newspaper

Thursday, June 16th, 2016

Jonas Mekas Receives Apology for 1963 Obscenity Prosecution

Thursday, November 5th, 2015

London: Jonas Mekas at The Serpentine Gallery Through January 27th, 2013

Sunday, January 20th, 2013

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

AO Guest Editorial (With Video): Collective Show at Participant Inc., September 15 through September 26, 2010

Friday, October 1st, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Stuart E. Eizenstat Profiled in NYT

January 24th, 2022

A piece in the New York Times profiles Stuart E. Eizenstat, the diplomat and lawyer who has long advised on the process of restituting Nazi-looted art, and who will now take on his first court case seeking the return of an allegedly looted Camille Pissarro. “No self-respecting government, art dealer, private collector, museum or auction house should trade in or possess art stolen by the Nazis,” he says.

Read more at NYT

Yves Tanguy Work Thought Destroyed Rediscovered

January 24th, 2022

A Yves Tanguy work long thought destroyed during a raid by a fascist mob has been rediscovered and restored. She said: “We were able to do different types of imaging and analysis and demonstrate that it was the original work that had been put back together again,” says Professor Jennifer Mass, an American conservation scientist.

Read more at The Guardian

Samara Golden Interviewed in NYT

January 24th, 2022

Artist Samara Golden gets the profile treatment in the New York Times this week as she opens a show of new work at Night Gallery in LA. “The piece speaks to the art history of Southern California because of its viscerality,” says Night Gallery founder Davida Nemeroff.

Read more at NYT

REFERENCE LIBRARY