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Los Angeles – Jonathan Wateridge “Inter + Vista” at L&M Arts, through March 16th, 2013

Thursday, March 7th, 2013

AO Auction Results – London: Christie’s Contemporary Evening and Italian Sales, October 11th, 2012

Thursday, October 11th, 2012

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

Go See: St. Petersburg, Russia – Newspeak. British Art Now. The State Hermitage and Saatchi Gallery through January 17, 2010

Saturday, January 9th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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