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AO On-Site – Miami Beach: NADA at the Deauville Resort and Hotel, December 1st – December 4th, 2016

Friday, December 2nd, 2016

AO On-Site: Mexico City Art Week, February 3rd – 7th, 2016

Monday, February 8th, 2016

Water Mill, NY – Watermill Summer Benefit, July 25th, 2015

Thursday, July 30th, 2015

AO On-Site – Miami Beach: Untitled Miami at 12th and Ocean Drive, December 3rd -7th, 2014

Monday, December 8th, 2014

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

AO On-Site: NADA at the Deauville Hotel, December 5th-8th, 2013

Friday, December 6th, 2013

New York – The Whitney Biennial Through May 25th, 2014

Saturday, March 8th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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