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Kunstmuseum Basel to Host Show of Drawings from Kara Walker’s Never Before Seen Archives

Thursday, January 14th, 2021

Kara Walker’s Tate Commission Profiled in NYT

Tuesday, October 1st, 2019

Kara Walker Interviewed in The Guardian

Tuesday, September 24th, 2019

Kara Walker Designs Tribute to Toni Morrison for New Yorker

Thursday, August 8th, 2019

Kara Walker to Create Next Tate Modern Turbine Hall Commission

Tuesday, March 12th, 2019

Berlin-Kara Walker at Sprüth Magers through September 08, 2018

Tuesday, July 24th, 2018

Kara Walker Reflects on Challenges of Install for New Orleans’s Prospect Show

Saturday, February 24th, 2018

New York – Kara Walker: “Sikkema Jenkins and Co. is Compelled to present The most Astounding and Important Painting show of the fall Art Show viewing season!” at Sikkema Jenkins Through October 14th, 2017

Saturday, October 14th, 2017

Kara Walker Profiled in New York Magazine

Monday, April 17th, 2017

Kara Walker Appointed Tepper Chair at Rutgers School of ARts

Friday, September 25th, 2015

Kara Walker Interviewed in WSJ

Friday, November 7th, 2014

New York – Kara Walker: “A Subtlety” at The Domino Sugar Factory Through July 6th, 2014

Thursday, July 3rd, 2014

Kara Walker Profiled in The Economist

Friday, May 16th, 2014

Photoset: The Creative Time Gala Honoring Kara Walker at The Domino Sugar Factory, May 6th, 2014

Wednesday, May 7th, 2014

Kara Walker Preps Domino Sugar Factory Installation

Sunday, April 27th, 2014

Creative Time Announces Kara Walker’s Domino Sugar Factory Installation to Open May 10th

Sunday, March 2nd, 2014

Don’t miss – New York: Kara Walker, “Dust Jackets for the Niggerati—and Supporting Dissertations, Drawings submitted ruefully by Dr. Kara E. Walker.” at Sikkema Jenkins & Co. Through June 4th, 2011

Friday, May 27th, 2011

AO On Site – New York: Kara Walker “Fall Frum Grace, Miss Pipi’s Blue Tale” at Lehmann Maupin through June 4, 2011

Saturday, April 23rd, 2011

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

Kara Walker

Thursday, January 3rd, 2008

Kara Walker now open at Whitney

Friday, October 12th, 2007

London – Kara Elizabeth Walker: “Negress” at Camden Arts Centre Through January 5th, 2014

Thursday, November 7th, 2013

Artists 4 Bernie Project Launches with Widespread Support

Tuesday, February 25th, 2020
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Paintings By Queen Victoria Head to Auction in London

January 20th, 2023

A rare pair of floral paintings by Queen Victoria will go to auction next week, expecting prices of £8,000 and £10,000, Art News reports. 
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Michael Rakowitz Proposes Gift of Fourth Plinth Statue to British Museum in Exchange for Return of Assyrian Arifacts to Iraq

January 20th, 2023

Iraqi-American artist Michael Rakowitz is proposing that the British Museum return one of its ancient Assyrian treasures to Iraq in exchange for the donation of his fourth plinth sculpture to the UK. “As I pondered my gift to the nation of Great Britain, I began to fantasise that it could be attached to a second gift: the return of one of the British Museum’s lamassu to the country of Iraq, to replace what was destroyed by Daesh [or Islamic State],” he writes in an open letter.
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Art News Traces Continued Challenges of Repatriation at The Met

January 20th, 2023

Art News has a piece this week discussing ongoing issues with repatriation at The Met, reviewing some disputed works still on view. “Once you know that someone is acquiring artifacts without looking too closely as a source, the first thing you should do is look deeper,” says Erin Thompson, an associate professor of art crime at John Jay College of Criminal Justice.
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