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Karl Schmidt-Rottluff Painting Returned to Family and Repurchased by Neue Galerie

Wednesday, September 28th, 2016

Hanover Museum Must Return Nazi-Looted Watercolor, German Commission Rules

Tuesday, January 10th, 2017

New York – “Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937″ at the Neue Galerie Through September 1st, 2014

Saturday, August 9th, 2014

New York – “German Expressionism 1900-1930: Masterpieces from the Neue Galerie Collection” at The Neue Galerie, Through April 22nd, 2013

Sunday, April 21st, 2013

Salzburg: Georg Baselitz at Thaddaeus Ropac through August 30, 2012

Wednesday, August 22nd, 2012

UK Artists Speak Out on Cuts to A-Level Arts Education

Tuesday, October 18th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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