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New York – Katharina Fritsch at Matthew Marks Gallery Through December 22nd, 2017

Friday, December 22nd, 2017

Fritsch’s Blue Cockerel Finally Unveiled on Fourth Plinth

Saturday, July 27th, 2013

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

New York – “Sculpture” at Matthew Marks Gallery Through April 19th, 2014

Monday, March 24th, 2014

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

Six Artists on the Shortlist for Empty Fourth Plinth

Thursday, September 5th, 2013

New Sculpture for London’s Fourth Plinth Raises Ire of Local Planning Group

Friday, May 3rd, 2013

AO On Site – Paris: FIAC Vernissage Photoset, Wednesday, October 17th, 2012

Thursday, October 18th, 2012

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO On Site – London: Elmgreen & Dragset’s Fourth Plinth installation ‘Powerless Structures, Fig. 101′ at Trafalgar Square through February 2013

Thursday, February 23rd, 2012

AO News Summary: London’s 2012 and 2013 Fourth Plinth Winners Announced: German ‘Hahn/Cock’ and Scandinavian ‘Powerless Structures, Fig. 101′

Sunday, January 16th, 2011

Go See: Matthew Marks Gallery, Painting: Now and Forever, Part II, in New York through August 15

Thursday, July 31st, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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