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New York – Katharina Grosse at Gagosian Gallery through March 11th, 2017

Thursday, February 9th, 2017

Katharina Grosse Now Represented by Gagosian

Thursday, July 7th, 2016

New York – Katharina Grosse’s Commission for “Rockaway” at Fort Tilden Park Through November 30th, 2016

Wednesday, July 6th, 2016

Katharina Grosse to Install Massive Paint Work in Rockaways

Saturday, May 28th, 2016

Berlin – Katharina Grosse “The Smoking Kid” at Johan König Through June 21st, 2015

Sunday, June 21st, 2015

Amtrak Undertakes Painting Commission with Katharina Grosse

Wednesday, May 14th, 2014

AO Preview – Hong Kong: Art Basel Hong Kong at Hong Kong Convention & Exhibition Center, March 23rd – 25th, 2017

Monday, March 20th, 2017

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 20-23rd, 2016

Thursday, October 20th, 2016

AO On-Site – Miami Beach: Art Basel Public Sector at Collins Park, December 1st – 6th, 2015

Tuesday, December 8th, 2015

AO On-Site – Venice: “All the World’s Futures” – The 56th Venice Biennale at The Arsenale Through November 22nd, 2015

Wednesday, May 6th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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