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AO On Site – New York: Opening of Kembra Pfahler at Participant Inc. Through October 14th, 2012

Sunday, September 16th, 2012

New York: E.V. Day and Kembra Pfahler, Opening of ‘Giverny’ and ‘An Oje at the Hole’ at The Hole through April 24, 2012

Monday, April 2nd, 2012

AO On-Site: Printed Matter’s Los Angeles Art Book Fair at The Geffen Contemporary at MoCA, February 24th – 26th, 2017

Saturday, February 25th, 2017

AO On Site – The Watermill Center, The Big Bang, 19th Annual Summer Benefit, Saturday July 28, 2012

Thursday, August 2nd, 2012

AO Newslink

Wednesday, June 20th, 2012

AO On Site – New York: André Saraiva’s “Andrépolis” and Portrait of a Generation double show at The Hole from June 7 to August 10, 2012

Friday, June 8th, 2012

AO On Site – New York: Whitney Art Party 2012 at Skylight Soho on Wednesday, June 6

Thursday, June 7th, 2012

AO On Site, with interview with Kathy Grayson – New York: Opening of “Not Quite Open for Business” at The Hole, through August 21, 2010

Monday, June 28th, 2010

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009

Go See: Terence Koh ‘Flowers for Baudelaire,’ curated by Vito Schnabel, at 407 East 75th Street, New York, through January 2009

Wednesday, November 26th, 2008

AO On Site: Deitch Projects Book Launch at Santo’s Party House with the Voluptuous Horror of Karen Black

Monday, September 22nd, 2008

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007

AO Newslink

Tuesday, April 17th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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