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Kim Gordon to Present Turner Prize

Thursday, November 19th, 2015

New York Times Interviews Marcel Dzama, Kim Gordon and The Arcade Fire’s Tim Kingsbury

Thursday, September 11th, 2014

303 Gallery Readies First Solo Show for Kim Gordon

Thursday, August 21st, 2014

New York: Karen Kilimnik and Kim Gordon at 303 Gallery, Through September 29th, 2012

Wednesday, September 26th, 2012

Go See – Berlin: Gordon Matta-Clark at Galerie Thomas Schulte through July 31, 2010

Sunday, July 18th, 2010

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

Richard Prince Faces Another Lawsuit Over Copyright Violation

Tuesday, November 22nd, 2016

New York – Printed Matter’s 11th Annual New York Art Book Fair, September 16th-18th, 2016

Friday, September 16th, 2016

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

New York – Lizzi Bougatsos: “Work Habits” at James Fuentes, through February 7th, 2016

Tuesday, January 26th, 2016

AO On-Site: Art Basel Miami Beach 2015 at the Miami Beach Convention Center, December 3rd-6th, 2015

Thursday, December 3rd, 2015

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

New York – Marcel Dzama: “Une Danse des Bouffons (A Jester’s Dance)” at David Zwirner through October 25th, 2014

Thursday, October 23rd, 2014

AO Recap and Photoset – London: Frieze Art Fair at Regent’s Park, October 15th-18th, 2014

Tuesday, October 21st, 2014

Photoset: The Creative Time Gala Honoring Kara Walker at The Domino Sugar Factory, May 6th, 2014

Wednesday, May 7th, 2014

Dzama to Premiere New Film in Toronto

Wednesday, August 21st, 2013

AO On Site – Exhibition A opening of ‘Monochrome Set’ at the ACE Hotel Tuesday, March 15th, show runs through APRIL 7th

Friday, March 18th, 2011

Go See – New York: 'Off the Wall: Part One, Thirty Performative Actions' at the Whitney Museum of American Art, through September 19th, 2010

Tuesday, July 20th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

Art Observed Newslinks for Sunday, December 20th, 2009

Sunday, December 20th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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