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LA Times Profiles Fundraising Efforts at LACMA

Tuesday, July 3rd, 2018

LACMA Partners with Arizona State to Create Curator Program Encouraging Diversity and New Voices

Thursday, May 10th, 2018

LACMA’s Collectors Committee Weekend Sees Focus on Women Artists

Monday, April 23rd, 2018

Collector Budi Tek Gives Collection to Foundation Run in Partnershipwith LACMA

Thursday, March 29th, 2018

Jimmy Iovine Donates Massive Mark Bradford Work to LACMA

Friday, February 16th, 2018

Leonardo DiCaprio Funds Replacement of Lights in Chris Burden’s LACMA Sculpture

Monday, February 12th, 2018

LACMA Looks to Expand in South LA

Wednesday, January 24th, 2018

Los Angeles – Richard Prince: “Untitled (Cowboy)” AT LACMA Through March 25th, 2018

Tuesday, January 9th, 2018

LACMA Changes Admission Structure, Eliminating Special Tickets

Thursday, November 16th, 2017

LACMA Gets $150 Million Pledge for Renovation from David Geffen

Wednesday, October 4th, 2017

LACMA Adds New Board Members

Tuesday, June 13th, 2017

LACMA Launches Kickstarter to Bring Egg-Shaped Museum to LA from Guatemala City

Friday, June 9th, 2017

Vision for LACMA Expansion Explored in LA Times Piece

Friday, May 26th, 2017

Peter Zumthor Unveils New Plans for LACMA Expansion

Monday, April 10th, 2017

LACMA Acquires Random International’s ‘Rain Room’

Sunday, January 29th, 2017

Michael Govan’s LACMA Renovation Efforts Profiled in NYT

Wednesday, January 18th, 2017

Details and Renderings Emerge of LACMA Expansion

Wednesday, November 16th, 2016

Businessman Eric Smidt Gives $25 Million Gift to LACMA

Monday, October 31st, 2016

Los Angeles – Agnes Martin at LACMA Through September 11th, 2016

Tuesday, August 23rd, 2016

LACMA Attendance Grows to 1.4 Million Visitors Yearly

Saturday, July 16th, 2016

LACMA Acquires Selection of Works from Gemini G.E.L.

Tuesday, July 12th, 2016

LACMA Receives Major $75 Million Donation for Expansion Plans

Thursday, April 28th, 2016

LACMA Acquires Masterpiece John Lautner Home in Beverly Hills

Friday, February 19th, 2016

Los Angeles – Diana Thater: “The Sympathetic Imagination” at LACMA Through February 21st, 2016

Thursday, February 18th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Creative Time Announces Lineup for Eleventh Annual Creative Time Summit

July 17th, 2018

Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory 52Creative Time has announced the lineup for the eleventh edition of the Creative Time Summit, which will set up shop in Miami this year from November 1-3.  “Fifty years after the upheavals of 1968, we continue to grapple with a host of pressing issues, from the ongoing legacies of colonialism to climate change and xenophobia,” says Creative Time executive director Justine Ludwig.  “There’s no better place for this conversation than Miami, a home to so many incredible artists, activists, and thinkers. We couldn’t be prouder to host the summit here, or of the participants and the invaluable insights they’ll be bringing to bear on some of the most critical issues of our time.”
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New York Museums to Grant Free Admission for Library Card Holders

July 17th, 2018

Guggenheim, via NYTA new initiative by New York’s library systems will grant free access to a range of NYC institutions with a library card, the New York Times reports. “Some people are intimidated by museums,” says Linda Johnson, president of the Brooklyn Public Library, said in a phone interview. “They shouldn’t be shut out of all the wonderful cultural offerings that are available to New York City dwellers.”
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Liberté Nuti Joins Hauser & Wirth as Senior Director of Impressionist & Modern Art

July 17th, 2018

Liberte Nuti, via Hauser and WirthLiberté Nuti has joined Hauser & Wirth as International Senior Director of Impressionist & Modern Art, leaving her former post as International Director of Impressionist & Modern at Christie’s. “We are thrilled to welcome Liberté Nuti as a Senior Director in London,” Iwan Wirth says. “We look forward to this next chapter in Hauser & Wirth’s evolution as the gallery’s secondary market activity comes into sharper focus.”
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