Search Results

Art News Profiles Recent Work by LaToya Ruby Frazier Documenting Auto Strikes in Ohio

Friday, September 20th, 2019

New York – LaToya Ruby Frazier at Gavin Brown’s Enterprise Harlem Through February 25th, 2018

Monday, February 12th, 2018

Creative Time Flying Artist-Commissioned Flags Over New York Office

Thursday, June 15th, 2017

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

Don’t Miss – Queens, New York: Greater New York at MoMA PS1 Through October 18, 2010

Wednesday, August 18th, 2010

AO On Site: New York: Lush Life Exhibitions on Display at 9 Lower East Side Galleries

Wednesday, July 14th, 2010

Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

The Louvre Working to Complete VR Tour of the Mona Lisa

October 16th, 2019

The Louvre is putting the finishing touches on a virtual reality tour that focuses on the Mona Lisa as it prepares its landmark show on Leonardo Da Vinci. “She is seated, and spectators will be facing her like a conversation, face to face,” says Dominique de Font-Réaulx, the Louvre’s director of mediation and cultural programming.
Read More »

German Arts Center Z.K.M. Recognized by NYT

October 16th, 2019

A piece in the NYT recognizes the German art center Z.K.M. in Karlsruhe, which has a reputation for spotting new and dynamic creative ideas, and which was an early supporter and collector of visual art.  “No other institution has a track record of really looking at the medium in depth,” says Christiane Paul, a media studies professor at the New School.
Read More »

Nick Cave Profile in NYT

October 16th, 2019

Nick Cave gets a profile in the NYT this week, part of a series celebrating “The Greats,” and discusses his career, including the construction of his first sound suit after the 1992 Rodney King beating.  “I felt like my identity and who I was as a human being was up for question. I felt like that could have been me,” he says. “Once that incident occurred, I was existing very differently in the world. So many things were going through my head: How do I exist in a place that sees me as a threat?”
Read More »

REFERENCE LIBRARY