Search Results

Laurie Anderson and Lawrence Weiner Win $100,000 Wolf Prize

Wednesday, January 11th, 2017

Armory Announces 2015 Performance Schedule

Friday, November 21st, 2014

Mass MOCA Announces Ambitious Exhibition Plan for Renovated Space

Tuesday, November 18th, 2014

Prada Foundation Announces “Art or Sound” for 2015 Biennale

Thursday, March 13th, 2014

New York – “Rituals of Rented Island” at The Whitney Through February 2nd, 2014

Friday, January 24th, 2014

Paris – Jean Dupuy: “The Collective Years (1973-1983)” at Galerie Louevenbruck Paris Through June 15th, 2013

Friday, June 14th, 2013

AO On Site Photoset – New York: Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory, April 30th, 2013

Monday, May 6th, 2013

New York – AO On Site: The Kitchen Benefit Art Auction, November 26th, 2012

Saturday, December 1st, 2012

AO On Site – New York: Marina Abramović “The Artist Is Present” at MoMA, March 14 through May 31, 2010

Wednesday, March 31st, 2010

Go See – New York: Mike Kelley "Horizontal Tracking Shots" at the Gagosian Gallery through December 23rd, 2009

Saturday, November 14th, 2009

Go See – New York: ‘WHITE NOISE’ at James Cohan Gallery through August 12, 2009

Wednesday, July 29th, 2009

Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Brad Troemel Profiled in New Yorker

January 23rd, 2017

Brad Troemel, via New YorkerBrad Troemel is the subject of a profile in the New Yorker this week, which reflects on the artist’s recent work both in and outside the traditional gallery system, and his approach towards making art that often defies categorization.  “At what point do artists using social media stop making art for the idealized art world audience they want,” the piece quotes from one of his essays, “and start embracing the new audience they have?” 
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New York Times Notes Uptick in Sales Through Instagram

January 23rd, 2017

Faberge art, via NYTThe New York Times profiles the increased potential in recent years for Instagram as a marketing tool, noting a considerable uptick in works sold through the platform.  “It has hit a sweet spot in the market for sharing information,” Anders Petterson, one of the contributors to the Hiscox Online Art Trade Report says, “but no one saw this coming as a sales tool.”
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Catherine Opie Joins Gallerists and Artists in LA Women’s March

January 23rd, 2017

Catherine Opie, via LA TimesThe LA Times has a piece today on the participation of a number of artists and gallerists in the Los Angeles protests against Donald Trump, counting Catherine Opie and a range of gallerists from across the city.  “Artists need to bring that voice of opposition to this cause — with every drop of blood and every tear,” Opie says.
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