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AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016

AO Auction Recap – New York: Phillips 20th Century and Contemporary Evening Sale, November 8th, 2015

Monday, November 9th, 2015

AO Auction Preview – New York: Impressionist, Modern, Post-War and Contemporary Evening Sales, November 4th-12th, 2015

Wednesday, November 4th, 2015

New York – “PAVILLON DE L’ESPRIT NOUVEAU: A 21st Century Show Home” at Swiss Institute Through November 8th, 2015

Saturday, October 24th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Kerry James Marshall Profiled in Financial Times Podcast

October 18th, 2018

Kerry James Marshall, via NPRKerry James Marshall gets a profile in the Financial Times this week, with the paper profiling and exploring the impact of his work. “Because I make figures does not mean that making work that appears to be abstract is not available to me, ” he says.
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Carrie Mae Weems Profiled in NYT

October 18th, 2018

Carrie Mae Weems, via NYTCarrie Mae Weems gets a profile in the NYT this week, documenting her early life and the evolution of her groundbreaking photographic practice in conjunction with her socially-engaged practice regarding violence in black communities and against the same communities by the police. “There are days, especially when we’re editing, when we just leave the studio in a shambles, or we’re just too mentally exhausted to look at another image of someone being shot,” she says. “But as much as I’m engaged with it, with violence, I remain ever hopeful that change is possible and necessary, and that we will get there. I believe that strongly, and representing that matters to me: a sense of aspiration, a sense of good will, a sense of hope, a sense of this idea that one has the right, that we have the right to be as we are.”
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Okwui Enwezor’s Termination from Haus der Kunst Profiled in NYT

October 18th, 2018

Okwui Enwezor, via Art NewsThe New York Times takes a deep look at Okwui Enwezor’s ouster from Munich’s Haus der Kunst, profiling the management issues, flagging sales and strange controversies that led to his termination, including government surveillance after a number of Scientologists were discovered working in the museum. “Enwezor had too many scandals to handle at once,” says Isabell Zacharias, a spokeswoman from the center-left Social Democratic Party in the Bavarian Parliament. “Enwezor is not a manager. He’s a great artist, but artists are not managers.”
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