Search Results

Dia Adds Works by Kishio Suga, Lee Ufan to Collection

Tuesday, July 11th, 2017

Lee Ufan Authenticates All Works Held in Connection with Forgery Case

Wednesday, July 6th, 2016

New York – Lee Ufan at Pace Gallery Through August 21st, 2015

Wednesday, June 17th, 2015

London – Lee Ufan at Lisson Gallery Through May 9th, 2015

Friday, April 17th, 2015

Versailles – Lee Ufan’s Commission for Versailles Through November 2nd, 2014

Tuesday, September 2nd, 2014

Paris – Lee Ufan at Kammel Mennour Through December 28th, 2013

Monday, November 25th, 2013

Go See – New York: Lee Ufan ‘Marking Infinity’ at Solomon R. Guggenheim Museum through September 28th, 2011

Wednesday, July 13th, 2011

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 20-23rd, 2016

Thursday, October 20th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, June 27th, 2016

Tuesday, June 28th, 2016

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016

AO On-Site – New York: The ADAA Art Show at Park Avenue Armory, March 1st – 6th, 2016

Monday, March 7th, 2016

Los Angeles – Dansaekhwa and Minimalism at Blum & Poe Through March 12th, 2016

Friday, February 26th, 2016

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 21st – 25th, 2015

Thursday, October 22nd, 2015

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

AO Auction Recap – New York: Sotheby’s Contemporary and Post-War Evening Sale, May 12th, 2015

Tuesday, May 12th, 2015

AO Preview – Hong Kong: Art Basel Hong Kong, March 15th-17th, 2015

Saturday, March 14th, 2015

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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