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Don’t Miss – New York: Jasper Johns “Drawing Over” at Leo Castelli Gallery through December 18th, 2010

Friday, December 17th, 2010

Go See- New York: Roy Lichtenstein “Mostly Men” at Leo Castelli Gallery through October 30, 2010

Thursday, October 7th, 2010

Go See: ‘Electricity’ group show at Leo Castelli Gallery, New York, through April 25, 2009

Saturday, April 4th, 2009

Go See: Richard Pettibone at Leo Castelli Gallery, New York, April 11 – May 23

Thursday, April 17th, 2008

Leo Castelli

Tuesday, December 25th, 2007

The Late Robert Rauschenberg Profiled in NYT

Monday, May 15th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

RIP: James Rosenquist Passes Away at the Age of 83

Saturday, April 1st, 2017

Go See – New York: Ileana Sonnabend: “Ambassador for the New” at Museum of Modern Art Through April 24th, 2014

Wednesday, February 26th, 2014

MoMA to Spotlight Ileana Sonnabend

Sunday, August 11th, 2013

Los Angeles – Donald Judd at LACMA through August 4th, 2013

Sunday, May 19th, 2013

Art Basel Announces Gallery List for its 44th Edition

Tuesday, February 5th, 2013

New York – “Richard Artschwager: The Desert” at David Nolan Gallery, Through Decmber 22nd, 2012

Thursday, December 20th, 2012

AO Newslink

Wednesday, October 17th, 2012

New York – “Regarding Warhol: Sixty Artists, Fifty Years” At the Metropolitan Museum of Art Through December 31st, 2012

Thursday, September 27th, 2012

AO Newslink

Wednesday, August 1st, 2012

London: Bruce Nauman at White Cube Through July 8, 2012

Sunday, July 1st, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Monday, January 30th, 2012

Don’t Miss: Bruce Nauman, For Children / For Beginners at Sperone Westwater through December 18th, 2010

Sunday, December 12th, 2010

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009

Go See – Venice: ‘ROBERT RAUSCHENBERG: GLUTS’ at Peggy Guggenheim Collection through September 20th

Thursday, June 4th, 2009

Richard Serra

Thursday, January 3rd, 2008

Galleries

Thursday, December 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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