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Bloomberg Reports on Two More Leonardo Da Vinci Works in Private Collections

Friday, December 22nd, 2017

Leonardo da Vinci Painting Inspires Mystery Over Depiction of Transparent Orb

Thursday, October 19th, 2017

Portrait in Swiss Collection Identified as Lost Leonardo da Vinci Portrait

Sunday, October 6th, 2013

Go See – London: ‘Leonardo da Vinci: Painter at the Court of Milan’ at the National Gallery through February 5, 2012

Tuesday, December 20th, 2011

Leonardo Da Vinci

Sunday, November 23rd, 2008

Leonardo Da Vinci

Sunday, November 23rd, 2008

Leonardo Da Vinci

Saturday, November 22nd, 2008

Daily Mail Reports on Regional Rivalry Causing Bidding Record for Da Vinci’s ‘Salvator Mundi’

Thursday, March 29th, 2018

Art Newspaper Notes Surging Market for da Vinci Copies

Wednesday, January 3rd, 2018

WSJ Reports Buyer of da Vinci’s ‘Salvator Mundi’ as Saudi Crown Prince

Friday, December 8th, 2017

Saudi Prince Reportedly Buyer of da Vinci’s ‘Salvator Mundi

Friday, December 8th, 2017

NYT Analyzes Market Impacts Caused by da Vinci Record

Tuesday, November 28th, 2017

Christie’s da Vinci Sale Explored in Art Market Monitor

Wednesday, November 22nd, 2017

Visitors Crowd Christie’s to View da Vinci Piece on Sale this Week

Tuesday, November 14th, 2017

Christie’s to Offer Last da Vinci in Private Hands Next Month in New York

Wednesday, October 11th, 2017

French Government Bars Export for €15 Million da Vinci Drawing

Wednesday, January 4th, 2017

Long-Lost Da Vinci Appears in Paris

Monday, December 12th, 2016

Dealers Sue Sotheby’s Over Da Vinci Work Resold for Over $120 Million

Monday, December 5th, 2016

Da Vinci Notebook Coming to the Smithsonian

Friday, August 9th, 2013

Britain’s Collection of Da Vinci Drawings Owned by the Monarchy

Monday, August 5th, 2013

New Tests Posit Swiss Mona Lisa as Da Vinci’s “Original” Work

Monday, February 18th, 2013

British Library Publishes Full Collection of Da Vinci Notebooks

Wednesday, February 13th, 2013

AO On Site – New York: Francesco Vezzoli ‘Sacrilegio’ at Gagosian Gallery 21st Street, opened Saturday, February 5th, running through March 12, 2011

Tuesday, February 8th, 2011

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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