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Bloomberg Reports on Two More Leonardo Da Vinci Works in Private Collections

Friday, December 22nd, 2017

Leonardo da Vinci Painting Inspires Mystery Over Depiction of Transparent Orb

Thursday, October 19th, 2017

Portrait in Swiss Collection Identified as Lost Leonardo da Vinci Portrait

Sunday, October 6th, 2013

Go See – London: ‘Leonardo da Vinci: Painter at the Court of Milan’ at the National Gallery through February 5, 2012

Tuesday, December 20th, 2011

Leonardo Da Vinci

Sunday, November 23rd, 2008

Leonardo Da Vinci

Sunday, November 23rd, 2008

Leonardo Da Vinci

Saturday, November 22nd, 2008

Daily Mail Reports on Regional Rivalry Causing Bidding Record for Da Vinci’s ‘Salvator Mundi’

Thursday, March 29th, 2018

Art Newspaper Notes Surging Market for da Vinci Copies

Wednesday, January 3rd, 2018

WSJ Reports Buyer of da Vinci’s ‘Salvator Mundi’ as Saudi Crown Prince

Friday, December 8th, 2017

Saudi Prince Reportedly Buyer of da Vinci’s ‘Salvator Mundi

Friday, December 8th, 2017

NYT Analyzes Market Impacts Caused by da Vinci Record

Tuesday, November 28th, 2017

Christie’s da Vinci Sale Explored in Art Market Monitor

Wednesday, November 22nd, 2017

Visitors Crowd Christie’s to View da Vinci Piece on Sale this Week

Tuesday, November 14th, 2017

Christie’s to Offer Last da Vinci in Private Hands Next Month in New York

Wednesday, October 11th, 2017

French Government Bars Export for €15 Million da Vinci Drawing

Wednesday, January 4th, 2017

Long-Lost Da Vinci Appears in Paris

Monday, December 12th, 2016

Dealers Sue Sotheby’s Over Da Vinci Work Resold for Over $120 Million

Monday, December 5th, 2016

Da Vinci Notebook Coming to the Smithsonian

Friday, August 9th, 2013

Britain’s Collection of Da Vinci Drawings Owned by the Monarchy

Monday, August 5th, 2013

New Tests Posit Swiss Mona Lisa as Da Vinci’s “Original” Work

Monday, February 18th, 2013

British Library Publishes Full Collection of Da Vinci Notebooks

Wednesday, February 13th, 2013

AO On Site – New York: Francesco Vezzoli ‘Sacrilegio’ at Gagosian Gallery 21st Street, opened Saturday, February 5th, running through March 12, 2011

Tuesday, February 8th, 2011

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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