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New York – Willem de Kooning | Zao Wou-Ki at Lévy Gorvy Gallery Through March 11th, 2017

Sunday, February 12th, 2017

Art Market Monitor Analyzes Brett Gorvy’s Departure from Christie’s

Wednesday, December 14th, 2016

Brett Gorvy Leaving Christie’s to Partner with Dominique Lévy

Thursday, December 8th, 2016

AO Preview – Hong Kong: Art Basel Hong Kong at Hong Kong Convention & Exhibition Center, March 23rd – 25th, 2017

Monday, March 20th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

AO On Site Auction Results – New York: Christie’s Post-War and Contemporary Sale Tuesday November 10, 2009 – Top Lots Go Unsold

Wednesday, November 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Anish Kapoor Calls Article 50 Invocation for Brexit “Heartbreaking”

March 30th, 2017

Anish Kapoor, via Art NewspaperAnish Kapoor has commented on the UK invoking Article 50 in order to leave the EU, calling the event “heartbreaking.”  “It’s one of those things that goes against the flow of history,” he says.  “Frankly, nationalism diminishes ourselves. We want more than that, we want a bigger, more open vision.”
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Turner Prize Drops Age Limit for Qualifying Artists

March 30th, 2017

Tate Britain, via TelegraphThe Turner Prize has changed its eligibility rules, allowing artists over the age of 50 to qualify for the award for the first time.  “The Turner prize has always championed emerging artists,” says Alex Farquharson, the director of Tate Britain. “It has never been a prize for long service but for a memorable presentation of work in that year. Now that its reputation is so firmly established, we want to acknowledge the fact that artists can experience a breakthrough in their work at any stage.”
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Donald Judd’s Design Work Profiled in WSJ

March 30th, 2017

tkThe Wall Street Journal has a piece on Donald Judd’s design work this month, focusing on the artist’s desks, chairs and other furniture often made for his studio and home, and which are now seeing renewed interest by curators and designers.  “I would put Judd’s furniture together with his sculpture, his writings, his houses,” says curator Ann Temkin. “The idea that a whole room would contain one simple steel box and Judd would consider it full has had a huge influence on the architecture and design world over the last 25 years.”
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