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New York – Liz Glynn at Paula Cooper Through February 11th, 2017

Thursday, January 26th, 2017

Liz Glynn Interview with Doug Aitken Posted by New York Times Magazine

Monday, February 3rd, 2014

AO Fair Preview – London: Frieze London Art Week, October 4th – 7th, 2018

Tuesday, October 2nd, 2018

AO On-Site – New York: Independent NY at Spring Studios, March 3rd – 6th, 2016

Saturday, March 5th, 2016

Doug Aitken Announces Film Project at Sundance Film Festival

Sunday, January 12th, 2014

AO On-Site: New York – Doug Aitken’s Station to Station at Riverfront Studios

Tuesday, September 10th, 2013

Doug Aitken’s discloses details of his Happening piece ‘Station to Station’

Saturday, June 22nd, 2013

Frieze New York Announces 2013 Projects

Friday, January 25th, 2013

Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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