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New York – Liz Glynn at Paula Cooper Through October 12th, 2019

Monday, September 23rd, 2019

New York – Liz Glynn at Paula Cooper Through February 11th, 2017

Thursday, January 26th, 2017

Liz Glynn Interview with Doug Aitken Posted by New York Times Magazine

Monday, February 3rd, 2014

New York – “Non-Vicious Circle” at Paula Cooper Gallery Through August 16th, 2019

Thursday, August 8th, 2019

AO Fair Preview – London: Frieze London Art Week, October 4th – 7th, 2018

Tuesday, October 2nd, 2018

AO On-Site – New York: Independent NY at Spring Studios, March 3rd – 6th, 2016

Saturday, March 5th, 2016

Doug Aitken Announces Film Project at Sundance Film Festival

Sunday, January 12th, 2014

AO On-Site: New York – Doug Aitken’s Station to Station at Riverfront Studios

Tuesday, September 10th, 2013

Doug Aitken’s discloses details of his Happening piece ‘Station to Station’

Saturday, June 22nd, 2013

Frieze New York Announces 2013 Projects

Friday, January 25th, 2013

Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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The Louvre Working to Complete VR Tour of the Mona Lisa

October 16th, 2019

The Louvre is putting the finishing touches on a virtual reality tour that focuses on the Mona Lisa as it prepares its landmark show on Leonardo Da Vinci. “She is seated, and spectators will be facing her like a conversation, face to face,” says Dominique de Font-Réaulx, the Louvre’s director of mediation and cultural programming.
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German Arts Center Z.K.M. Recognized by NYT

October 16th, 2019

A piece in the NYT recognizes the German art center Z.K.M. in Karlsruhe, which has a reputation for spotting new and dynamic creative ideas, and which was an early supporter and collector of visual art.  “No other institution has a track record of really looking at the medium in depth,” says Christiane Paul, a media studies professor at the New School.
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Nick Cave Profile in NYT

October 16th, 2019

Nick Cave gets a profile in the NYT this week, part of a series celebrating “The Greats,” and discusses his career, including the construction of his first sound suit after the 1992 Rodney King beating.  “I felt like my identity and who I was as a human being was up for question. I felt like that could have been me,” he says. “Once that incident occurred, I was existing very differently in the world. So many things were going through my head: How do I exist in a place that sees me as a threat?”
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