Search Results

Loic Gouzer and Alex Rotter Named Christie’s Contemporary and Post-War Co-Chairs for Americas

Thursday, May 11th, 2017

Loic Gouzer Appointed Deputy Chair of Post-War and Contemporary Art at Christie’s

Sunday, October 25th, 2015

Christie’s Loic Gouzer Launches New Auction Night

Tuesday, April 1st, 2014

Loïc Gouzer Profiled in New Yorker

Monday, June 27th, 2016

Christie’s to Offer Last da Vinci in Private Hands Next Month in New York

Wednesday, October 11th, 2017

Francis Bacon’s George Dyer Triptych Goes to Christie’s New York for its Auction Debut

Friday, February 24th, 2017

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

David Hammons Work from Mnuchin Gallery on Block for Christie’s Sale

Friday, April 15th, 2016

Christie’s Preparing Sale Centered Around Theme of Failure This May in New York

Saturday, March 26th, 2016

AO – Auction Recap: “If I Live I’ll See You Tuesday” at Christie’s, Monday, May 12th, 2014

Tuesday, May 13th, 2014

AO Auction Preview – New York: Contemporary Art Evening Sales, May 12th-15th, 2014

Monday, May 12th, 2014

Christie’s Looks to Break Auction Records with Basquiat’s “Dustheads” This May

Saturday, April 6th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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