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New York – Louise Lawler: ‘WHY PICTURES NOW’ at MoMA Through July 30th, 2017

Thursday, July 20th, 2017

MoMA Announces Louise Lawler Retrospective for 2017

Friday, June 24th, 2016

Berlin – Louise Lawler: “No Drones” at Sprüth Magers Through January 17th, 2015

Thursday, January 15th, 2015

New York – Louise Lawler and Liam Gillick at Casey Kaplan Through December 21st, 2013

Monday, December 16th, 2013

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

MoMA Extends Friday and Saturday Hours Until 9PM

Wednesday, August 16th, 2017

New York — “Serialities” at Hauser Wirth Through April 8th, 2017

Friday, March 31st, 2017

Los Angeles – “Eau de Cologne” at Sprüth Magers Through August 20th, 2016

Thursday, August 18th, 2016

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016

AO Preview – New York: Armory Week, March 3rd – 8th, 2015

Wednesday, March 4th, 2015

AO On-Site – Paris: FIAC at Grand Palais and (OFF)ICIELLE at The City of Fashion and Design, October 22nd-26th, 2014

Friday, October 24th, 2014

AO Recap – New York: The Armory Show at Piers 92 and 94, March 6th-9th, 2014

Wednesday, March 12th, 2014

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

Go See-New York: Roy Lichtenstein at Gagosian through July 30, 2010

Sunday, May 16th, 2010

Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010

Go See – New York: ‘WHITE NOISE’ at James Cohan Gallery through August 12, 2009

Wednesday, July 29th, 2009

Go See – New York: “The Pictures Generation, 1974-84″ at The Metropolitan Museum of Art through August 2, 2009

Sunday, June 7th, 2009

Go See: Group Exhibition Espèces d’Espaces at Yvon Lambert New York, through May 16, 2009

Wednesday, April 1st, 2009

Go See: L.A.'s "Women in the City" backed by Broad Art, Pinault Foundation

Tuesday, January 29th, 2008

Metro Pictures

Tuesday, December 25th, 2007

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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Getty Museum Survives Brutal California Wildfires

December 13th, 2017

Getty, via ReutersThe Getty has survived a week of chaotic wildfires, keeping its collection intact while flames raged around the museum by wetting the surrounding hills with water and closing off all air intake valves. “By putting all these bells and whistles in, we are able to wet down our hillsides, close intake valves and keep smoke and debris out,” says Linda Somerville, assistant director of insurance and risk management for the J. Paul Getty Trust.
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The Frick Collection Acquires First Work in 30 Years

December 13th, 2017

François-Pascal-Simon Gérard, via ArtforumThe Frick Collection has acquired its first work since 1991, a 7-feet-tall portrait of Prince Camillo Borghese by François-Pascal-Simon Gérard, Artforum reports. “The last opportunity the Frick had to purchase a major French School painting was nearly thirty years ago, with the acquisition of [Jean-Antoine] Watteau’s Portal of Valenciennes,” director Ian Wardropper says. “Today, it is deeply rewarding to have the rare opportunity to bring to the museum such an important work as this one, a historic portrait we feel would have compelled Henry Clay Frick. While the portrait has been shown in Rome, it has never been seen publicly in America.”


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