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Mexico City – B. Wurtz at Lulu Through April 15th, 2017

Saturday, March 11th, 2017

London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012

Go See – Brussels: Ugo Rondinone 'New Horizon' at Almine Rech Gallery through January 14, 2012

Wednesday, December 14th, 2011

Go See – New York: Claude Monet – Late Work at Gagosian Gallery on 21st Street through June 26, 2010

Thursday, May 20th, 2010

NADA Announces 2016 Exhibitors List

Friday, September 23rd, 2016

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

AO On-Site – Miami Beach: NADA Art Fair at the Fontainebleau, December 3rd – 5th, 2015

Sunday, December 6th, 2015

AO Recap – Mexico City: Visual Arts Week, February 4th – 8th, 2015

Monday, February 9th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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