Search Results

Los Angeles – Lynda Benglis: “Excavation” at Blum & Poe Through June 25th, 2022

Monday, June 6th, 2022

New York – Lynda Benglis: “Early Work 1967 – 1979″ at Cheim & Read and Ortuzar Projects

Wednesday, December 23rd, 2020

Lynda Benglis Interviewed in NYT

Monday, August 19th, 2019

Pace Gallery to Represent Lynda Benglis

Monday, January 14th, 2019

New Windsor, NY – Lynda Benglis at Storm King Art Center Through November 8th, 2015

Thursday, July 16th, 2015

Lynda Benglis Speaks with John Baldessari for Interview Magazine

Thursday, April 2nd, 2015

Lynda Benglis Interviewed in Art Newspaper

Monday, March 9th, 2015

AO On-Site – Basel: Art Basel at the Messe Basel, June 16th – 19th, 2022

Thursday, June 16th, 2022

New York – “The Mechanics Of Fluids, Curated By Melissa Gordon” at Marianne Boesky Through August 3rd

Saturday, August 4th, 2018

AO On-Site – New York: ADAA Art Show at the Park Ave Armory, February 28th – March 4th, 2018

Monday, March 5th, 2018

AO On-Site: Athens, Greece and Kassel, Germany – Documenta 14: “Learning From Athens”, On View Through September 17th, 2017

Monday, June 12th, 2017

London – Keith Sonnier: “Light Works” at Whitechapel Gallery Through September 11th, 2016

Tuesday, September 6th, 2016

New York — “The Female Gaze, Part Two: Women Look at Men” at Cheim & Read Through September 2nd, 2016

Tuesday, August 16th, 2016

Paris – “La Mia Ceramica” at Max Hetzler Through July 16th, 2016

Saturday, July 16th, 2016

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012

Vienna: Cindy Sherman ‘That’s me – That’s not me’ at Sammlung Verbund Vertical Gallery through May 16, 2012

Wednesday, March 28th, 2012

AO On Site – New York: The ADAA Art Show at Park Avenue Armory, March 7-11, 2012

Sunday, March 11th, 2012

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

Go See – New York: “The Women in Our Life: A Fifteen Year Anniversary Exhibition” at Cheim and Read through September 17th, 2011

Tuesday, September 6th, 2011

Go See – New York: ‘Unpainted Paintings’ at Luxembourg & Dayan through May 27th 2011

Friday, May 13th, 2011

Go See – New York: Los Carpinteros “Rumba Muerta” at Sean Kelly through March 19th, 2011

Sunday, February 20th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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