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London – Marcel Broodthaers: Un Jardin D’Hiver at Hauser & Wirth Through November 18th, 2017

Monday, November 13th, 2017

Bologna: Marcel Broodthaers ‘L’espace de l’écriture’ at the Museo de Arte Moderna di Bologna through May 6, 2012

Saturday, March 31st, 2012

Don’t Miss- New York: Marcel Broodthaers “Major Works” at Michael Werner through November 13, 2010

Wednesday, November 10th, 2010

Go See – New York: Marcel Broodthaers ‘Ne dites pas que je ne l’ai pas dit – Le Perroquet (1974)’ at Peter Freeman, Inc. through December 23, 2009

Sunday, November 22nd, 2009

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO Preview – New York: Armory Week, March 1st – 6th, 2016

Tuesday, March 1st, 2016

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

AO Interview With Artist Liliana Porter, Pinta New York’s Invited Artist for 2012, November 15th – 18th, 2012

Thursday, November 15th, 2012

AO Auction Results – London: Christie’s Post-War and Contemporary Art Evening Auction, June 27, 2012

Thursday, June 28th, 2012

Berlin: Robert Longo ‘Stand’ at Capitain Petzel Berlin through June 16, 2012

Wednesday, May 23rd, 2012

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011

Go See – New York: Paul Thek “Diver: A Retrospective” at the Whitney Museum through January 9th, 2011

Monday, December 27th, 2010

Go See – New York: In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976' at MoMA, through October 5, 2009

Friday, September 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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