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London – Marina Abramović: “White Space” at Lisson Gallery, through November 1st 2014

Friday, October 31st, 2014

London – Marina Abramović: “512 Hours” at Serpentine Galleries Through August 25, 2014

Saturday, July 5th, 2014

Marina Abramović Prepares to Open Opera at The Armory

Thursday, October 31st, 2013

Vice “Shoots the Shit” with Marina Abramović

Sunday, December 2nd, 2012

Marina Abramović plans to open $8 million Rem Koolhaus-designed performing art space in Hudson, New York

Friday, February 17th, 2012

AO On Site – Art Basel Miami Beach 2011: Marina Abramović 'The Artist is Present' documentary screening at Soho Beach House, December 1, 2011

Saturday, December 3rd, 2011

Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010

AO On Site – New York: Marina Abramović “The Artist Is Present” at MoMA, March 14 through May 31, 2010

Wednesday, March 31st, 2010

Ulay Wins Court Case Against Former Partner Marina Abramovic Over Royalties for Joint Works

Friday, September 23rd, 2016

Marina Abramovic Interviewed in The Guardian

Monday, July 6th, 2015

Marina Abramovic Brings New Performance to Art of Elysium Benefit

Monday, January 12th, 2015

Marina Abramovic Preparing New Installation for Sydney in 2015

Friday, November 21st, 2014

Marina Abramovic Interviewed by The Observer

Monday, October 27th, 2014

Marina Abramovic Profiled in W Magazine

Thursday, October 23rd, 2014

Marina Abramovic Interviewed in Wall Street Journal

Monday, June 9th, 2014

Marina Abramovic’s Work at Serpentine Called Out for Similar Themes to Another Artist

Thursday, May 29th, 2014

Marina Abramovic Shows The Guardian Her Training Methods

Tuesday, May 20th, 2014

Marina Abramovic Interviewed in The Guardian

Tuesday, May 13th, 2014

New York – “The Life and Death of Marina Abramovic” at The Park Avenue Armory, December 12th-21st, 2013

Thursday, December 26th, 2013

Milan: Marina Abramovic ‘The Abramovic Method’ at PAC Padiglione d’Arte Contemporanea through June 10, 2012, and ‘With Eyes Closed I See Happiness’ at Galleria Lia Rumma through May 12, 2012

Tuesday, April 17th, 2012

Manchester Arts Center Hopes To Bring Culture North

Monday, August 11th, 2014

Vanity Fair Announces Results of Greatest Living Artists Poll

Monday, November 4th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

New York – AO On Site: Independent Curators International Annual Fall Benefit & Auction, Monday, November 19th, 2012

Tuesday, November 20th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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