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London – Marina Abramović: “White Space” at Lisson Gallery, through November 1st 2014

Friday, October 31st, 2014

London – Marina Abramović: “512 Hours” at Serpentine Galleries Through August 25, 2014

Saturday, July 5th, 2014

Marina Abramović Prepares to Open Opera at The Armory

Thursday, October 31st, 2013

Vice “Shoots the Shit” with Marina Abramović

Sunday, December 2nd, 2012

Marina Abramović plans to open $8 million Rem Koolhaus-designed performing art space in Hudson, New York

Friday, February 17th, 2012

AO On Site – Art Basel Miami Beach 2011: Marina Abramović 'The Artist is Present' documentary screening at Soho Beach House, December 1, 2011

Saturday, December 3rd, 2011

Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010

AO On Site – New York: Marina Abramović “The Artist Is Present” at MoMA, March 14 through May 31, 2010

Wednesday, March 31st, 2010

Marina Abramovic Profiled in The Guardian

Monday, February 19th, 2018

Marina Abramovic and Jeff Koons Fronting Virtual Reality Art Project

Monday, June 12th, 2017

Ulay Wins Court Case Against Former Partner Marina Abramovic Over Royalties for Joint Works

Friday, September 23rd, 2016

Marina Abramovic Interviewed in The Guardian

Monday, July 6th, 2015

Marina Abramovic Brings New Performance to Art of Elysium Benefit

Monday, January 12th, 2015

Marina Abramovic Preparing New Installation for Sydney in 2015

Friday, November 21st, 2014

Marina Abramovic Interviewed by The Observer

Monday, October 27th, 2014

Marina Abramovic Profiled in W Magazine

Thursday, October 23rd, 2014

Marina Abramovic Interviewed in Wall Street Journal

Monday, June 9th, 2014

Marina Abramovic’s Work at Serpentine Called Out for Similar Themes to Another Artist

Thursday, May 29th, 2014

Marina Abramovic Shows The Guardian Her Training Methods

Tuesday, May 20th, 2014

Marina Abramovic Interviewed in The Guardian

Tuesday, May 13th, 2014

New York – “The Life and Death of Marina Abramovic” at The Park Avenue Armory, December 12th-21st, 2013

Thursday, December 26th, 2013

Milan: Marina Abramovic ‘The Abramovic Method’ at PAC Padiglione d’Arte Contemporanea through June 10, 2012, and ‘With Eyes Closed I See Happiness’ at Galleria Lia Rumma through May 12, 2012

Tuesday, April 17th, 2012

Manchester Arts Center Hopes To Bring Culture North

Monday, August 11th, 2014

Vanity Fair Announces Results of Greatest Living Artists Poll

Monday, November 4th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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LACMA’s Collectors Committee Weekend Sees Focus on Women Artists

April 23rd, 2018

LACMA 2018 Collectors Committee Breakfast and Curator PresentationsLACMA’s annual Collectors Committee Weekend resulted in an unprecedented acquisition of women artists, with new works purchased by Martha Boto, Betye Saar, Jennifer Bartlett and Julie Mehretu, as well as a sculpture by Ruth Asawa.
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Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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