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London – Mark Bradford: “Cerberus” at Hauser and Wirth Through December 21st, 2019

Thursday, December 19th, 2019

Mark Bradford Profiled in Washington Post

Thursday, October 10th, 2019

Broad Acquires Major David Hammons, Mark Bradford Works

Friday, June 14th, 2019

Phillips To Sell Mark Bradford’s Helter Skelter II in May Sales

Thursday, April 18th, 2019

Mark Bradford Interviewed in LA Times

Saturday, February 24th, 2018

Jimmy Iovine Donates Massive Mark Bradford Work to LACMA

Friday, February 16th, 2018

Mark Bradford to Open Program at Hauser & Wirth Hong Kong

Friday, December 22nd, 2017

Mark Bradford Interviewed in The Guardian

Tuesday, November 14th, 2017

Venice – Mark Bradford: “Tomorrow is Another Day” at the U.S. Pavilion Through November 26th, 2017

Monday, May 15th, 2017

Mark Bradford Interviewed in NYT

Sunday, April 30th, 2017

Baltimore Museum of Art to Organize Mark Bradford Show at Venice Biennale

Friday, October 28th, 2016

Mark Bradford to Represent U.S. for 2017 Venice Biennale

Tuesday, April 19th, 2016

Phillips Leading May Sales in New York with Trio of Mark Bradford Paintings

Tuesday, March 22nd, 2016

New York – Mark Bradford: “Be Strong Boquan” at Hauser & Wirth Through December 23rd, 2015

Tuesday, December 22nd, 2015

Hirshhorn Commissions Mark Bradford for 360-Degree Fresco

Thursday, October 15th, 2015

Mark Bradford Interviewed in New Yorker

Monday, June 15th, 2015

Marianne Boesky Gallery Names Bradford Waywell Senior Director of Sales and Acquisitions

Thursday, May 30th, 2019

Education Resources for Artists During COVID-19 Quarantine

Thursday, April 23rd, 2020

Collector Pamela Joyner Featured in Art Newspaper

Thursday, February 13th, 2020

AO Auction Recap – New York: Post-War and Contemporary Evening Sales, November 13th – 14th, 2019

Thursday, November 14th, 2019

AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 17th . -20th, 2019

Thursday, October 17th, 2019

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, October 2nd, 2019

Thursday, October 3rd, 2019

AO FAIR PREVIEW – LONDON: FRIEZE LONDON ART WEEK, OCTOBER 3TH – 6TH, 2019

Tuesday, October 1st, 2019

AO Auction Preview – London: Contemporary Art Evening Sales, October 2nd – 4th, 2019

Tuesday, October 1st, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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