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Martha Rosler Profiled in NYT

Wednesday, November 7th, 2018

New York – Martha Rosler: “If You Can’t Afford to Live Here, mo-o-ove!!” at Mitchell-Innes & Nash Through July 9th, 2016

Thursday, July 7th, 2016

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

Vienna’s Generali Foundation to Close

Sunday, June 29th, 2014

AO On Site Photoset – New York: Brooklyn Museum Annual Gala ‘The Brooklyn Artists Ball’ April 18, 2012

Thursday, April 19th, 2012

Pawnshop project opens on Ludlow Street

Tuesday, October 9th, 2007

AO Newslink

Saturday, November 17th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Everson Museum Receives $4.8 Million Gift

November 15th, 2018

Everson Museum, via Art NewsSyracuse’s Everson Museum of Art in New York has received a donation of $4.8 million, one of the largest gifts ever made to a Syracuse arts organization, given by board members Paul Philips and Sharon Sullivan. “This campaign is the most ambitious fundraising effort in our institution’s 120-year history,” says Elizabeth Dunbar, director and CEO of the Everson.
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New York Times Spotlights Art Storage Facilities

November 15th, 2018

Uovo, via NYTThe New York Times looks at the new storage facilities popping up in New York and around the US for art collectors. “Dealers have to store it, then they sell it to collectors who have to store it, then they donate it to museums that have to store it,” says art adviser Todd Levin.
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Knight Foundation Donates $435,000 to Digital Arts Projects

November 15th, 2018

Gray Area Theater, via Art NewsThe Knight Foundation in Miami, Florida, has earmarked a total of $435,000 for four digital art projects. “As in many parts of modern society, technology advancements have revealed both new opportunities and challenges for artists,” says Chris Barr, director of arts at the Knight Foundation. “At the moment, there are few organizations providing support systems for digital art. These projects are filling that gap, helping artists navigate and thrive in this new terrain.”
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