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New York – Martin Creed: ‘The Back Door’ at Park Avenue Armory Through August 7th, 2016

Saturday, June 18th, 2016

Martin Creed Interviewed in NYT

Tuesday, June 7th, 2016

Martin Creed Interviewed in The Guardian

Wednesday, May 18th, 2016

Martin Creed to Open First U.S. Retrospective at Park Ave Armory

Thursday, March 24th, 2016

Zurich – Martin Creed at Hauser & Wirth Zurich Through October 31st, 2015

Sunday, October 25th, 2015

London – Martin Creed: “What’s the Point of it?” at Hayward Gallery Through May 5th, 2014

Friday, May 2nd, 2014

Martin Creed Interviewed in the Guardian

Tuesday, March 25th, 2014

Martin Creed Interviewed in New York Times

Saturday, January 25th, 2014

New York – Martin Creed: Work #1020 at The Kitchen, December 12th-14th, 2013

Thursday, December 19th, 2013

New York – Martin Creed at Hauser & Wirth/Gavin Brown’s Enterprise Through December 21st 2013

Tuesday, December 3rd, 2013

Turner Prize Winner Martin Creed to Have Retrospective at Hayward Gallery

Friday, October 11th, 2013

The Tate Buys Martin Creed’s Lightswitch Artwork

Thursday, September 5th, 2013

London: Martin Creed ‘Work Nos. 1100, 1343, 1347′ at Gallery Restaurant, Sketch

Saturday, April 7th, 2012

Liverpool: Martin Creed ‘Artist Rooms’ at Tate Liverpool through May 27, 2012

Monday, March 19th, 2012

Go See – Berlin: Martin Creed ‘Paintings’ at Johnen Galerie Berlin through June 25th, 2011

Monday, June 20th, 2011

Go See – London: Martin Creed ‘Mothers’ at Hauser & Wirth Through March 5, 2011

Friday, January 28th, 2011

AO On Site – Paris: ‘Fresh Hell’ at the Palais de Tokyo through January 16th, 2011 featuring Maurizio Cattelan, Martin Creed, Isa Genzken, Dan Graham, Philip Guston, Martin Kippenberger, Nate Lowman, Sarah Lucas, Bruce Nauman & Frank Owen, Michelangelo Pistoletto, Rob Pruitt, Agathe Snow, Rudolf Stingel, Rosemarie Trockel and others

Thursday, January 13th, 2011

Go See – Edinburgh: Martin Creed ‘Down Over Up’ at Fruitmarket Gallery through October 31st, 2010

Friday, August 27th, 2010

Go See – New York: Martin Creed – Jonathan Horowitz at Gavin Brown through June 19th, 2010

Friday, June 4th, 2010

Go See: Martin Creed at Hauser & Wirth in Zürich, Switzerland through March 7, 2009

Wednesday, February 18th, 2009

Go See: Martin Creed Work No. 850 at Tate Britain, through November 16

Monday, July 14th, 2008

Martin Creed

Monday, March 31st, 2008

A Unique Creed: Excrement in Exhibition

Wednesday, July 18th, 2007

Jenni Lomax Leaves Camden Arts Center After 26 Years

Wednesday, November 23rd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Maurizio Cattelan Profiled in NYT

April 24th, 2017

Maurizio Cattelan, via NYTMaurizio Cattelan is profiled in the New York Times this week, as a documentary on the artist hits theaters.  “Underneath it all, Maurizio’s a good person,” says director Maura Axelrod of the artist’s mischievous personality. “He’s not careening through life trying to upset people. His overall approach is playful. Although maybe not the Stephanie Seymour piece. That might be the exception.”
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Magdalena Abakanowicz Passes Away at the age of 86

April 24th, 2017

Embryology 1978-80 by Magdalena Abakanowicz born 1930Polish sculptor Magdalena Abakanowicz has passed away at the age of 86.  The artist’s long career frequently challenged the authoritarian regime of Cold War Poland, and the impact of war on the psyche of its people.  “We are finally still questioning our own existence, the problem of our existence,” she once said, “because this is the greatest question and the greatest mystery—existence and sense or non-sense, the extraordinary power of man and his extraordinary weakness.”
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Case Over Pieter Bruegel the Younger Painting Hints at Problems with Painting Valuations

April 24th, 2017

Pieter Bruegel the Younger, via NYTThe New York Times reports on a recent court decision over the valuation and sale of a Pieter Bruegel the Younger the painting, where evidence showed a trend towards auction houses underpricing works so as to win favor from sellers when the works sold at strong prices.  The ruling echoes assertions by the I.R.S. that prices given for artworks are a likely “high abuse area.”
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