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New York – Martin Creed: ‘The Back Door’ at Park Avenue Armory Through August 7th, 2016

Saturday, June 18th, 2016

Martin Creed Interviewed in NYT

Tuesday, June 7th, 2016

Martin Creed Interviewed in The Guardian

Wednesday, May 18th, 2016

Martin Creed to Open First U.S. Retrospective at Park Ave Armory

Thursday, March 24th, 2016

Zurich – Martin Creed at Hauser & Wirth Zurich Through October 31st, 2015

Sunday, October 25th, 2015

London – Martin Creed: “What’s the Point of it?” at Hayward Gallery Through May 5th, 2014

Friday, May 2nd, 2014

Martin Creed Interviewed in the Guardian

Tuesday, March 25th, 2014

Martin Creed Interviewed in New York Times

Saturday, January 25th, 2014

New York – Martin Creed: Work #1020 at The Kitchen, December 12th-14th, 2013

Thursday, December 19th, 2013

New York – Martin Creed at Hauser & Wirth/Gavin Brown’s Enterprise Through December 21st 2013

Tuesday, December 3rd, 2013

Turner Prize Winner Martin Creed to Have Retrospective at Hayward Gallery

Friday, October 11th, 2013

The Tate Buys Martin Creed’s Lightswitch Artwork

Thursday, September 5th, 2013

London: Martin Creed ‘Work Nos. 1100, 1343, 1347′ at Gallery Restaurant, Sketch

Saturday, April 7th, 2012

Liverpool: Martin Creed ‘Artist Rooms’ at Tate Liverpool through May 27, 2012

Monday, March 19th, 2012

Go See – Berlin: Martin Creed ‘Paintings’ at Johnen Galerie Berlin through June 25th, 2011

Monday, June 20th, 2011

Go See – London: Martin Creed ‘Mothers’ at Hauser & Wirth Through March 5, 2011

Friday, January 28th, 2011

AO On Site – Paris: ‘Fresh Hell’ at the Palais de Tokyo through January 16th, 2011 featuring Maurizio Cattelan, Martin Creed, Isa Genzken, Dan Graham, Philip Guston, Martin Kippenberger, Nate Lowman, Sarah Lucas, Bruce Nauman & Frank Owen, Michelangelo Pistoletto, Rob Pruitt, Agathe Snow, Rudolf Stingel, Rosemarie Trockel and others

Thursday, January 13th, 2011

Go See – Edinburgh: Martin Creed ‘Down Over Up’ at Fruitmarket Gallery through October 31st, 2010

Friday, August 27th, 2010

Go See – New York: Martin Creed – Jonathan Horowitz at Gavin Brown through June 19th, 2010

Friday, June 4th, 2010

Go See: Martin Creed at Hauser & Wirth in Zürich, Switzerland through March 7, 2009

Wednesday, February 18th, 2009

Go See: Martin Creed Work No. 850 at Tate Britain, through November 16

Monday, July 14th, 2008

Martin Creed

Monday, March 31st, 2008

A Unique Creed: Excrement in Exhibition

Wednesday, July 18th, 2007

Jenni Lomax Leaves Camden Arts Center After 26 Years

Wednesday, November 23rd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Nicole Eisenman Sculpture Defaced in Münster

July 21st, 2017

Nicole Eisenman sculpture, via ArtforumA group of vandals attacked a sculpture in Nicole Eisenman’s site-specific installation, Sketch for a Fountain, at Skulptur Projekte Münster, Artforum reports. A large figure in the sculpture has been beheaded, and will remain without its head for the remainder of the show. 
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Getty Museum Acquires Major Collection of Drawings

July 21st, 2017

Jean-Antoine Watteau’s La Surprise, via NYTThe Getty Museum has made a major purchase of 16 drawings and one painting including works by Michelangelo, Parmigianino and Watteau, among others, one of the most expensive single acquisitions in the museum’s history. “This acquisition is absolutely transformative in terms of the quality of our drawings collection,” says director Timothy Potts. “There hasn’t been an opportunity like this in 30 years of the Getty’s existence and there won’t be again.”
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Bill Funding NEA Passes House Appropriations Committee

July 21st, 2017

u-s-congress-via-art-newspaperDespite attempts by Donald Trump to defund the NEA, a bill guaranteeing future funding for the organization has won approval this week from the House appropriations committee, the New York Times reports. “It is a very solid rejection of the administration’s proposals to terminate the two agencies,” says Narric Rome, who heads up government affairs at advocacy group Americans for the Arts. “We consider the House number to be a very good starting point for the appropriations process.”
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