Search Results

Forbes 30 Under 30 List Features Martine Syms, Bunny Rogers

Thursday, November 16th, 2017

Martine Syms Now Represented by Sadie Coles

Saturday, September 9th, 2017

Martine Syms, Cauleen Smith Join Staff at CalArts

Wednesday, July 19th, 2017

Martine Syms Profiled in New Yorker

Tuesday, July 11th, 2017

Martine Syms Interviewed in The Guardian

Wednesday, May 11th, 2016

New York – “The Love Object” Curated by Tom Brewer at Team Gallery Through February 18th, 2017

Wednesday, January 25th, 2017

Paul Chan’s Publishing House Issues Series of Artist-Designed Digital Files

Tuesday, September 27th, 2016

Los Angeles – Made in L.A. 2016: “a, the, though, only” at the Hammer Museum, Through August 28th, 2016

Saturday, August 20th, 2016

Hammer Museum Announces “Made in LA” Artist List

Saturday, January 23rd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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