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Martine Syms, Cauleen Smith Join Staff at CalArts

Wednesday, July 19th, 2017

Martine Syms Profiled in New Yorker

Tuesday, July 11th, 2017

Martine Syms Interviewed in The Guardian

Wednesday, May 11th, 2016

New York – “The Love Object” Curated by Tom Brewer at Team Gallery Through February 18th, 2017

Wednesday, January 25th, 2017

Paul Chan’s Publishing House Issues Series of Artist-Designed Digital Files

Tuesday, September 27th, 2016

Los Angeles – Made in L.A. 2016: “a, the, though, only” at the Hammer Museum, Through August 28th, 2016

Saturday, August 20th, 2016

Hammer Museum Announces “Made in LA” Artist List

Saturday, January 23rd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Menil Collection Postpones Major Expansion

July 28th, 2017

Menil Collection Construction, via Houston ChronicleThe Menil Collection in Houston has postponed a major expansion project that included a new Drawing Institute building, after Director Rebecca Rabinow shuffled construction schedules this week. “We’re in it for the long haul and have very exacting standards,” she says. “Better to take time and get it perfect than open too early.”
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Thomas Campbell Awarded Getty Rothschild Research Fellowship

July 27th, 2017

Thomas P Campbell, via Art NewsFormer Met Director Thomas Campbell has been awarded the Getty Rothschild Fellowship, which will see him embarking on eight months of research at the Getty Museum in Los Angeles, and at Windsor Manor in Buckinghamshire, England. Campbell’s research will investigate  “the related question of how we can use art and culture as a gateway to promote understanding in an ever-more connected but ever-more divided world,” according to a statement.
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Philippe de Montebello To Serve as Director at Acquavella Galleries

July 27th, 2017

Philippe de Montebello, via NYTFormer Met Museum director Philippe de Montebello will become the new director at Acquavella Galleries, Art News reports. “I think it’s one of the great art galleries,” de Montebello said. “We have been talking over the last few years since I left the Met about how I could use some of my academic and other experience with the gallery.”
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