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Michael Krebber Gets Market Spotlight in Bloomberg

Tuesday, December 19th, 2017

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, October 7th, 2016

Saturday, October 8th, 2016

New York – “Fine Young Cannibals” at Petzel Gallery through August 5th, 2016

Friday, August 5th, 2016

Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010

Don’t Miss – New York: ‘THE AUDIO SHOW’ a selection of solely audio pieces at Friedrich Petzel Gallery, featuring Marilyn Minter, Barnaby Furnas and more, through August 23, 2009

Friday, August 21st, 2009

Go See: Matthew Marks Gallery, Painting: Now and Forever, Part II, in New York through August 15

Thursday, July 31st, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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