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AO Interview with Michael Nevin on the ten-year anniversary and redesign of the journal

Thursday, September 17th, 2009

AO On-Site – New York: RxArt Annual Benefit Honoring Urs Fischer at Stephan Weiss Studio, November 3rd, 2015

Friday, November 6th, 2015

AO On-Site: NADA at the Deauville Hotel, December 5th-8th, 2013

Friday, December 6th, 2013

AO On Site review with Photoset – Art Basel Miami Beach 2011: NADA Art Fair Summary at the Deauville Beach Resort

Monday, December 5th, 2011

AO On Site – New York: Performance by Mykki Blanco & Pablo Picasso at The Journal Gallery, Brooklyn, Saturday July 23rd, 2011

Tuesday, July 26th, 2011

AO On Site – Exhibition A opening of ‘Monochrome Set’ at the ACE Hotel Tuesday, March 15th, show runs through APRIL 7th

Friday, March 18th, 2011

AO On Site – NYC: “Salad days” at The Journal Gallery Through December 15th, 2010 (with Video Interview and Editorial by Patrick Meagher)

Tuesday, December 14th, 2010

AO On Site – New York: Ida Ekblad’s ‘Salty Sap Green Black’ at the Journal Gallery through October 25, 2009

Thursday, September 17th, 2009

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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