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Hirshhorn Museum Acquires Works by Ragnar Kjartansson, Shirin Neshat

Tuesday, September 12th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

AO On Site – New York: Charles Atlas Performance at Whitney Biennial, April 20–21, 2012

Tuesday, April 24th, 2012

AO on Site: SculptureCenter’s Lucky Draw Spring Benefit 2011

Friday, April 22nd, 2011

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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