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Los Angeles – Mike Kelley: “Kandors 1999 – 2011″ at Hauser & Wirth Through January 21st, 2018

Tuesday, December 26th, 2017

Catherine Opie Joins Board of Mike Kelley Foundation

Sunday, December 3rd, 2017

Mike Kelley’s ‘Mobile Homestead Profiled in NYT’

Thursday, March 9th, 2017

New York – Mike Kelley: “Kandors” at Venus Over Manhattan Through January 28th, 2017

Friday, January 27th, 2017

New York — Mike Kelley: “Memory Ware” at Hauser & Wirth Through December 23rd, 2016

Friday, December 23rd, 2016

Market for Mike Kelley’s Memory Ware Examined in Art Market Monitor

Thursday, December 22nd, 2016

New York – Mike Kelley: “Shaped Paintings” at Skarstedt Gallery Through June 25th, 2016

Tuesday, May 10th, 2016

Mike Kelley Foundation Funds Mini-Golf Piece Examining Urban Zoning in LA

Tuesday, May 3rd, 2016

New York – Mike Kelley at Hauser and Wirth Through October 24th, 2015

Saturday, September 19th, 2015

Hauser and Wirth to Represent Mike Kelley Foundation

Friday, January 30th, 2015

Opening Ceremony Releases Line of Mike Kelley T-Shirts

Friday, April 11th, 2014

The Challenges of Moving Mike Kelley’s Career Retrospective

Sunday, March 2nd, 2014

New York – Mike Kelley at MoMA PS1 Through February 2nd, 2014

Wednesday, November 6th, 2013

PS1 to Host Major Retrospective for Mike Kelley

Tuesday, August 13th, 2013

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

Mike Kelley’s “Mobile Homestead” to Open in Detroit

Wednesday, April 17th, 2013

Mike Kelley Dies from Apparent Suicide in Los Angeles at the age of 57

Wednesday, February 1st, 2012

Go See – Los Angeles: Mike Kelley at the Gagosian Gallery Beverly Hills through February 19th, 2011

Monday, January 17th, 2011

Go See – New York City: Mike Kelley ‘Arenas,’ Skarstedt Gallery through June 25th, 2010

Thursday, May 27th, 2010

Go See – New York: Mike Kelley "Horizontal Tracking Shots" at the Gagosian Gallery through December 23rd, 2009

Saturday, November 14th, 2009

AO On Site: ‘Koons Kelley Koh’ curated by Javier Peres at Mary Boone Gallery in Chelsea, Saturday, March 4th, show runs through May 16, 2009

Friday, April 10th, 2009

AO Auction Results – New York: Phillips 20th Century and Contemporary Evening Sale, November 16th, 2017

Thursday, November 16th, 2017

New York — Philippe Vandenberg Is On View at Hauser & Wirth Through July 28, 2017

Friday, July 28th, 2017

New York — Tetsumi Kudo at Andrea Rosen Gallery Through November 16th, 2016

Wednesday, November 16th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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