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Monnaie de Paris Cancels Contemporary Arts Program

Monday, November 18th, 2019

Paris – Subodh Gupta: “Adda / Rendez-vous” at Monnaie De Paris Through August 26th, 2018

Tuesday, August 21st, 2018

Paris – Maurizio Cattelan: “Not Afraid of Love” at The Monnaie de Paris Through January 8th, 2017

Tuesday, November 22nd, 2016

Hans Ulrich Obrist Co-Curates Show at La Monnaie Paris with Christian Boltanski

Sunday, September 20th, 2015

John Baldessari Launches Edition of “Your Name in Lights” Project in Paris

Wednesday, September 17th, 2014

AO On Site: 6th Berlin Biennial for Contemporary Art: La Monnaie Vivante after Pierre Klossowski, staged by Pierre Bal-Blanc

Friday, July 2nd, 2010

New York – “Take Me I’m Yours” at The Jewish Museum Through February 5th, 2017

Wednesday, November 9th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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