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Los Angeles – Terence Koh: “sleeping in a beam of sunlight” at Moran Bondaroff Through March 11th, 2017

Friday, March 10th, 2017

Los Angeles – “Eternal” at Moran Bondaroff Through August 27th, 2016

Thursday, August 25th, 2016

Moran Bondaroff Opens in Detroit

Wednesday, June 1st, 2016

Los Angeles – Brian Belott: “Puuuuuuuuuuffs” at Moran Bondaroff Through February 13th, 2016

Saturday, February 13th, 2016

AO On-Site – New York: NADA NY at Skylight Clarkson North, March 2nd – 5th, 2016

Sunday, March 5th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO On-Site: Printed Matter’s Los Angeles Art Book Fair at The Geffen Contemporary at MoCA, February 24th – 26th, 2017

Saturday, February 25th, 2017

NADA Announces Group of New Member Galleries as it Expands on West Coast

Tuesday, June 21st, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

Don’t Miss – Los Angeles: “Post 9-11″ at OHWOW Gallery through August 27th, 2011

Sunday, August 21st, 2011

AO ON SITE – Art Basel Miami Beach 2010: “The Island” Flagler Memorial Island off the Mondrian Hotel sponsored by OHWOW and LAND Friday, December 3rd

Saturday, December 4th, 2010

AO ON SITE – ART BASEL MIAMI BEACH 2010: OHWOW, It Aint Fair Opening, Thursday, December 2nd

Saturday, December 4th, 2010

AO On Site fair and event preview: Art Basel Miami Beach 2010 begins today through December 5th

Tuesday, November 30th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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