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Takashi Murakami Merchandise Causes Rush at MCA Chicago Show

Wednesday, August 30th, 2017

Paris – Takashi Murakami: “Learning the Magic of Painting” at Galerie Perrotin Through December 23rd, 2016

Thursday, November 10th, 2016

Takashi Murakami Interviewed in Complex

Thursday, September 29th, 2016

Takashi Murakami Interviewed in WSJ

Wednesday, September 14th, 2016

Takashi Murakami Writes on Collecting for New York Times

Wednesday, February 3rd, 2016

Takashi Murakami Showing Private Collection in Yokohama

Friday, August 28th, 2015

Takashi Murakami Collaboration with Vans Launches this Saturday

Friday, June 26th, 2015

Takashi Murakami Dines with Financial Times at His Studio

Sunday, June 21st, 2015

Takashi Murakami Interviewed for Nowness

Friday, January 9th, 2015

New York – Takashi Murakami: “In the Land of the Dead, Stepping on the Tail of a Rainbow” at Gagosian Gallery Through January 17th, 2014

Friday, December 12th, 2014

Milan – Takashi Murakami: “Arhat Cycle” at Palazzo Reale Through September 7th, 2014

Thursday, September 4th, 2014

Takashi Murakami’s Jellyfish Eyes Prepares to Tour U.S.

Friday, April 25th, 2014

Takashi Murakami’s “Jellyfish Eyes” Characters Included in Harper’s Bazaar Spread

Thursday, November 7th, 2013

Hong Kong – Takashi Murakami at Galerie Perrotin, through July 6th 2013

Tuesday, July 2nd, 2013

Takashi Murakami Interviewed by Nowness

Friday, June 14th, 2013

Takashi Murakami Profiled on Bloomberg TV

Thursday, May 23rd, 2013

Los Angeles – Takashi Murakami: “Arhat” at Blum and Poe Gallery Through May 25th, 2013

Saturday, May 11th, 2013

Takashi Murakami’s Directorial Debut Set to Premiere at LACMA

Saturday, April 6th, 2013

Doha, Qatar: Takashi Murakami at the Museum of Islamic Art through June 24, 2012

Thursday, March 1st, 2012

AO On Site – Paris: Galleries Night Out, featuring events at Thaddaeus Ropac (Alex Katz, Banks Violette), Emmanuel Perrotin (Takashi Murakami, Xavier Veilhan, Wim Delvoye), and Chantal Crousel (Thomas Hirschhorn, Wolfgang Tillmans), October 20, 2011

Saturday, October 22nd, 2011

Go See – London: Takashi Murakami at Gagosian Gallery Britannia Street through August 5th

Monday, July 25th, 2011

Go See – Rome: Takashi Murakami at Gagosian Gallery through January 15th, 2011

Friday, December 24th, 2010

AO News Summary: Prince Sixte-Henri de Bourbon-Parme files injunction to halt Murakami exhibit at Versailles

Thursday, October 28th, 2010

AO News Summary: Versailles Denies Rumors That Contemporary Art will move venues in reaction to Murakami Controversy

Tuesday, October 5th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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