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Musée D’Orsay Closes Early After Yellow Vest Protests

Monday, January 7th, 2019

Julian Schnabel Profiled in NYT

Tuesday, October 9th, 2018

Nahmad Family Buys Picasso, Sends to Paris for Show at Musée d’Orsay

Wednesday, May 16th, 2018

Musée D’Orsay Facing Accusations of Discrimination Over Student Tour Policy

Thursday, April 20th, 2017

Nashville Collector Spencer Hays Has Passed Away, Leaving Collection to Musée D’Orsay

Tuesday, March 7th, 2017

Art Newspaper Profiles Potential Successors to Lead Musée d’Orsay

Friday, January 27th, 2017

American Donors Give Major Trove of French Paintings to Musée D’Orsay

Monday, October 31st, 2016

Musée D’Orsay Workers Launch Strike in Face of Plan to Keep Museum Open All Week

Thursday, September 24th, 2015

AO On Site – Paris: FIAC Week Wrapup and Final Photoset, October 18th – 21st, 2012

Sunday, October 21st, 2012

Breaking: Qatar purchase of $250-$300 million ‘Card Players’ by Paul Cézanne is most expensive art sale in history

Thursday, February 2nd, 2012

Go See – Paris: “Manet, the Man Who Invented Modernity” at Musée d’Orsay, through July 3, 2011

Saturday, June 25th, 2011

Newslinks 2.5.08

Tuesday, February 5th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Protest Takes Place on Met Steps

October 15th, 2019

A massive crowd of protestors descended on the steps of The Met yesterday, part of a protest against Columbus Day. “I want to remind you that this was not brought to you by the Met,”says Amin Husain, a member of Decolonize This Place. “This was brought to you by the comrades who came together to say Columbus Day is a sham.”
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Gavin Turk Profiled in The Guardian

October 15th, 2019

Gavin Turk gets a profile in The Guardian, discussing his recent activism and protest, and how he sees the art world unfolding in the face of climate crisis.   “Art is bound to get caught up in what’s happening in the wider world,” he says. 
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Nayland Blake Gives NYT Tour of Their Flatbush Apartment

October 15th, 2019

Nayland Blake gives the NYT a tour of their Flatbush apartment, showcasing work from fellow queer artists and the clutters of material and work that adorn their one bedroom space. “The only way that queer or marginalized cultures survive is through somebody loving them and somebody acting as the curator of their own museum,” Blake says. “That kind of intimate culture is just as valid as the high cultures that museums often traffic.”
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