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AO Breaking News: Poussin paintings in National Gallery London vandalized with red paint

Monday, July 18th, 2011

London’s National Gallery Buys Bellotto Landscape for £11 Million

Tuesday, August 22nd, 2017

Man Slashes Thomas Gainsborough Painting at London’s National Gallery

Monday, March 20th, 2017

Collector J Tomilson Hill Responds to Criticisms for Not Selling Pontormo Back to National Gallery in London

Friday, March 3rd, 2017

London’s National Gallery Contesting Claims Over Matisse Work as Nazi-Loot

Friday, October 28th, 2016

Full Strike Called for London’s National Gallery Staff this August

Thursday, July 30th, 2015

Protests Continue in London Over National Gallery Privatization Plans

Sunday, April 26th, 2015

London’s National Gallery Staff Planning Five Day Strike

Friday, January 30th, 2015

Nicholas Penny to Step Down as Head of London’s National Gallery

Tuesday, June 24th, 2014

London – Metamorphosis 2012: Titian with Chris Ofili, Conrad Shawcross, Mark Wallinger at The National Gallery through September 23rd

Tuesday, August 21st, 2012

London: Lucian Freud ‘Portraits’ at the National Portrait Gallery through May 27, 2012

Monday, February 27th, 2012

Go See – London: ‘Leonardo da Vinci: Painter at the Court of Milan’ at the National Gallery through February 5, 2012

Tuesday, December 20th, 2011

Go See – London: “Corot to Monet: A Fresh Look at Landscape from the Collection” at The National Gallery through 20 September, 2009

Thursday, August 6th, 2009

Go See – London: Titian's "Triumph of Love" at The National Gallery, Through September 20, 2009

Monday, August 3rd, 2009

Go See: Gerhard Richter's Portraits at the National Portrait Gallery in London through May 31st 2009

Tuesday, May 12th, 2009

Go See: ‘Portraits’ by Gerhard Richter, at National Portrait Gallery, London, through May 31st

Friday, March 20th, 2009

National Portrait Gallery in London announces future Gerhard Richter portrait exhibition

Friday, December 19th, 2008

The Fourth Plinth Contest at the National Gallery in London

Friday, January 25th, 2008

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

Financial Times Charts Current Challenges Facing Gallery System

Monday, September 11th, 2017

Laura Bartlett to Close London Gallery

Thursday, September 7th, 2017

London Institutions Feud Over Expansion Plans

Monday, August 7th, 2017

National Portrait Gallery Acquires Tracey Emin’s ‘Death Mask’

Saturday, April 15th, 2017

British National Portrait Gallery Raises £1.3 Million to Buy Thomas Lawrence Canvas

Thursday, April 6th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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